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Writer's pictureRobert Giron

All the Obvious Reasons

by Lynn Stegner


What you heard were the hooves of the three horses with the mule at the end clattering through the rounded stone along the river, the first and the third horse steady, carefully picking their ways, but the one in the middle, a small dark Arabian, skittering and taking too many steps to cover the same distance, some of the steps sideways and even back, one jump ahead of a fit, as the man downriver who had saddled her remarked.


“You can handle her.” He nodded toward Harry. “Your man says you can handle a horse.”


“Sure I can,” Charlotte had said.


Harry believed everything she told him. He could afford to believe things and he was generous with that endowment, extending it to everyone. He had had the kind of upbringing that fostered commendable attributes like trust and courage and Honor, capital H. It was what she liked best about him, how clean-swept his life had been. Harry Fairbanks. How could she lose?


Of course it was easier to be honorable with nothing much to challenge those limits.


“I’ve ridden my share of horses,” she added.


But the other one, the Indian, probably knew better. The Indian didn’t look at her as she mounted, as she snugged up the reins, slipping her ring finger between the two strands of leather, her right hand clenched and holding the slack off to the right, her posture perfectly trained and the mare already jittering beneath her. The Indian, a thoroughly plausible individual who did not watch but who could assuredly hear the animal snorting and huffing—she knew that he knew the horse was too much for her. Already dark bands of sweat were spreading like ink along the Arabian’s shoulders and inside her flanks, her skin twitching, and not from the flies. Abra was her name.


It was just another one of the things Charlotte had probably lied about. All those years of riding lessons, keeping her heels down and her eyes up, and she had never sat a horse well. Mr. Purdy had said that she wouldn’t let herself become one with the animal—it was the sixties, and people had begun to say things like that, even riding instructors at fancy clubs—but now, seven years later, she knew it to be true. She had kept herself above and separate from the horses she had ridden, which had not been that many, all-told. Horses had been one of her youthful infatuations, and to her thinking infatuations demanded mastery, not union. Mastery, she thought, was a trick of the mind. Something you might try to sell yourself at the end of a long day when it was harder to believe that you knew what you were doing and were in charge.


They made a strange procession, the Indian, the girl, and then the tall man leading the mule, as they set off up the Fraser River, keeping close to the water where there were fewer mosquitoes and deer flies. For a while there had been sandy bars and shores and plenty of open sunlight, with the wet belt of alder, birch, black cottonwood and willow standing back and letting them proceed without trouble or interference. It was early June, the peak of spring runoff, so the broad banks were often wet from a recent surge, and the wildrye or mugwort or reeds flattened and muddy from the flood water’s scouring rush. In the wide swaths of river rock, silt girded the larger stones, and there might be pockets of water warming in the sun from which the bugs lofted as they passed. On the drive up from Vancouver the smells had been of pulp mills and new asphalt where the Ministry of Transportation had been paving over one of the roads the map still indicated was dirt, and of course the smell of the peanuts Harry ate with compulsive intent—“Protein?” he asked, offering her some. Foodstuffs had been stripped of their individuality and trained into conforming ranks of dietary requirements. It was all very scientific. Protein was the thing in 1970, the superstar. VIP-for-protein, Harry once told her. Protein and the wonders of frozen vegetables, though they had conceded to cans for part of the trip.


Now in the midday heat along the river the smell was of rotting vegetation, and at random intervals, when the new obscure tension in her chest became too much, she clicked the mare into the shallows where Charlotte felt she could breathe again. Somehow it reminded her of what had happened, that smell. She could not yet bring herself to say “happened to her.” She was not ready for that claim that would invite something for which she was not ready, some form of psychic catastrophe, a free-falling departure from the high mastery. She was not ready for much of anything yet, in fact, maybe only this trip, one week long, with Harry and the Indian guiding them up through the system of waterways and lakes that veined interior British Columbia.


It did not take more than an hour or so for Charlotte to give up trying to post, which anyway had been mostly to demonstrate that she knew how. The Arabian’s trot was so fast, so frenetic, everything about her distracted and ready to bolt, that Charlotte could not settle into anything rhythmic. It would not have done to let Abra take the bit, but neither did Abra give Charlotte any indication of reliable consent. They were in some kind of standoff without having the least provocation. She was a beautiful little horse, spirited and athletic, big anxious eyes; and Charlotte, at 110 pounds, could not have been more than the lightest of burdens, insubstantial as a toy up there, or dismissible erratum. The standoff felt uncalled-for. They ought to have liked each other, made a pair—that seemed to be the idea back at the outfitter’s. So Charlotte simply endured it, her bum, her spine jarred and twisted, Abra’s hindquarters suddenly bounding out from under her, her head thrown down, her graceful neck swinging sideways. What a week it would be, battling this four-legged tempest. And yet Charlotte could not help admiring her defiance, her anger, so free and absent of cause. Abra was all heart.


On the first night they camped along the Mighty Fraser; Harry liked to call it that, liked to indulge in small flourishes of speech. The rest of the week would be spent east of the Fraser, in the area between Kamloops and north to 100 Mile House. The Indian was one of the Shuswap, an interior Salish tribe, and he knew the area well enough that even the man with the horses had called him by his Salish name, One-See, because he was the only one left who had seen each of the rivers and creeks, the lakes without names, the trails that vanished into the high timber. Harry’s father had used him when Harry was a boy, and later, the boy grown, had tracked him down and hired him for fishing trips with his buddies. This trip was different, because of the girl and what had happened.


At twenty, Charlotte was not technically a girl any longer. But she was so petite and so well proportioned, so big-eyed and doll-like, that everyone treated her like a naïf. Or like something not quite real yet. On campus some of the guys referred to her as Harry’s trinket, and there had been two occasions on which strangers had mistaken her for his child. He was ten years older, about to finish his degree in medicine at UBC. His mother had taken ill and he had had to leave school for three years to help care for her. It had devolved into one of those eerily satisfying romantic stories—she had died of cancer, and thirty-two hours later, Harry’s father had up and died of a disease no one even knew he had, but which everyone decided was grief, pure and simple. They were a poor couple from the mountain town of Revelstoke, and Harry was the family star.


Charlotte was convinced that it would be the same for her and Harry—they would go more or less together. She did not think that she could bear it otherwise. People left: they broke down and were carted off, or they moved away, or they up and died. But not Harry, not this time.


The Indian unsaddled and staked the horses, then he offloaded the grub boxes and staked the mule too, graining them with hands cupped while Harry and Charlotte leveled out a tent site and gathered armfuls of wood for a fire. There was plenty lying about from the runoff and it did not take long.


“Reuben,” Harry said to the Indian, for he would never know him well enough to call him by his Salish name, “shall we try our luck?”


Reuben was studying the surface of the river. He turned and nodded toward the rods, jointed and ready, propped in the crook of a cedar. After he had watched the water and the bugs skimming or dancing off the sheen, he came back and fingered up some flies from the box, then the two of them worked their way downstream while Charlotte put up the tent she and Harry would share. They were four months married but it still felt funny to her, spending all of the night hours with him. Even now, it was exciting to wake up and find him beside her, like a holiday morning surprise with its sudden extravagance of joy that sent a hum through her breast, anticipatory and guilty, as if she were getting away with something. Still here, she thought, still right here. She had developed a secret habit of happiness, trilling the sheets with her toes, before conceding that the day must end or begin. As a child there had been too many mornings when, awakening, there was no one there.


Charlotte’s father was a G.P. in Ottawa. After her mother had been institutionalized, and then the years of him trying to conceal the women he saw, (because he was still a handsome man, after all, a vital man with needs, was how the maturing Charlotte came to understand the situation, his beard nicely trimmed, his shirts professionally pressed, no one could blame him, really), he moved to Ottawa so that he could see the women openly. In the tidy little city of Penticton where they had lived, people would have talked. Divorce was out of the question; one did not divorce someone who had had a mental breakdown. One did not abandon the elaborate beauty and comforts of social form for content, no matter how authentic. This was not America, after all, where messy realities throve.


That same fall when her father joined a practice in Ottawa and Charlotte began her freshman year at UBC, her mother was relocated to a Home in Vancouver. In the two years since, nothing had changed for Mary, and Charlotte’s visits had dwindled to once a month. But a week ago just after what happened Charlotte had gone off-schedule to see her. Ignoring the rest of it, Mary was her mother, and this was the sort of thing you brought to a mother, something only a mother might be able to fix, or at least soften.


“Where are the bruises?” her mother asked her.


It was a reasonable question. Where were they? Why hadn’t she fought?


Mary was having a bad day, they told her, and so the visit had taken place in the special room that was divided by a half wall, with heavy wire mesh rising from the low counter, their two chairs positioned on opposite sides. Her mother pressed her face against the wire, squinting at Charlotte’s visible body parts, her face and neck, her forearms, searching for the bruises Charlotte had not thought to earn.


She had been hitchhiking. She hadn’t ought to have been hitchhiking.


In a little while Harry and the Indian returned. She watched them coming toward her, their heads bowed in conversation, their boots sinking slightly in the wet sand and gravel. How she liked seeing him come toward her, like a marvelous and improbable piece of news. He brought the whole billowing world with him. And he walked like a man who knew he owned a place in that world. Harry, tall and lithe as poplar, was wearing the bright eager expression of a boy convinced he’s about to figure out something grand, or very likely already has. His thinning hair was something she liked, confirming his seriousness of purpose. He took her seriously, too, her compact body, her moods, the things she said that often surprised him. Harry did not think that he was easy to surprise, but as it turned out, he was.


Beside him, shoulder-height and still black-haired despite his age, the Indian paced along with a great and serious fortitude, every step somehow both difficult and destined. The sun was down behind the broad canyon walls and with it, the wind had dropped too, so that all she could hear was the water coursing over the river stone, and the hollow knocking of an oil drum that had washed downriver and eddied between a gravel bar and the place where they had made camp; and then once Harry’s laugh, cool, clipped and easy, as if he were trying to draw out a reluctant child. Harry was going to be a pediatrician and it seemed to her that he had chosen the perfect field, one that suited his encouraging nature.


“You didn’t catch anything,” she remarked.


He shrugged. “Wasn’t the point.”


Without quite looking at her, the Indian gave a languid side-wary acknowledgment and paced over to where the grub boxes sat beneath a stand of cottonwood and began rummaging through one of them. He was inscrutable, moving with a slight stoop that did not appear to come from any weariness but from contemplation to which, so far, he had given neither of them access.


She turned to Harry. “Aren’t we here to fish?”


He squatted beside her, offering her a swig from his flask. “This is a salmon river. Sockeye, coho, chinook…mostly Sockeye. Steelhead if you’re lucky. But Steelhead run at night. Reuben noticed a pool downriver, a pool with watercress where Steelhead like to hide.”


It irritated her, his mini lecture. Sometimes Harry knew too much. “So what was the point?” Lately it was important to her that things have a point, a specific and well-defined objective, and it helped, too, to know just how long things would take, each task, each job, so that every bit of every day would be used up doing something good and productive, something worthy that an imaginary presence who was always watching you might tick off a list. She had become a furious housekeeper; she balanced the checkbooks to the penny; she completed and then went back over her homework. Charlotte did this, she did that…. Industry stitched the day together, and so far nothing vital had bled through the open wound that morning seemed to bring.


He placed the back of his fingers against her cheek and gave it a feathery possessive stroke. “Oh, just to try it out, set the mood. We’re after trout. That’s inland, where we go tomorrow.”


“I like it here,” she said, tossing a pebble into the river, not wanting to belong to anyone at that moment, not even Harry.


In the flat light of dusk the river stretched away from her to the slanting and distant canyon wall, gray-brown, the water too, gray-brown like tea with milk, but cold, the surface a moving slick of indifference as it slid downward to the sea. The way the water moved, not flowing but huge and muscled from underneath as if it were pushing something impossible out of its way, and that one couldn’t see but knew was there just around the next bend—that was what she liked, that pushing, that deep, heavy determination to shove the unseen thing down the canyon and out of the way. Lakes were motionless; lakes did nothing but lie there looking pretty and inviting and stupidly susceptible.


“You’ll like it at the lakes too,” Harry was saying just then. “You can swim.”


“I might not want to swim.”


“You love to swim.”


“I don’t want to swim. Not anymore.”


“Sure you’ll swim, Char. You’ll do everything you were going to do. Nothing’s changed.”


She tossed another pebble in the water. “Everything’s changed.”


“No.”


“I’m not going to swim.”


“Don’t be this way, Charlotte. Give it some time. Your feelings will change.”


“I’m never ever swimming again.”


He sighed, considered the flask in his hand, and then took another swallow. “The lakes are beautiful. You’ll see.”


“I don’t care about lakes or how beautiful they are or how much you think I’ll like it or won’t like it, or hate it. I’m tired of swimming.”


He seemed about to take her hand but thought better of it. “You’re in a mood.”


“That’s right, Harry. It’s just a mood. Nothing you have to think too long or too hard about. Call the next patient, order up another tray of animals to dissect, make notes in your notebooks, schedule a follow-up.” A mosquito bite on her forearm had made itself known and she was scratching it down to a dot of pulp to put a quick end to the itching. “Consult with Alex,” she thought to add.


Behind them the woods crowded down a narrow wet draw ending in a hedge of young cedar so dense that she could only worry about what was behind it. She took another sip of Harry’s whisky and glanced over at the Indian to see if he’d been listening. Harry unfolded his long self to help with dinner, leaving her alone. She had wanted to drive him away but was equally disappointed in having succeeded.


She had missed the bus. And she’d seen others, friends of hers with their thumbs out, catching rides with other students into the city, or across the Lions Gate Bridge to North Van where it was cheaper to live. Where she and Harry lived now. Plenty of them did it.


They heated two cans of beef stew over the fire and sopped it up with bread. Afterward, the Indian rinsed the cans in the river, burying them and marking the place so that they would not have to carry them but could pick them up on the way back a week later. He did not drink and he did not eat the candy bars that were Harry’s weakness, his only one, so far as she could tell. Reuben and Harry were familiar with the routine and with each other. They did not need to tell stories, the way men did, establishing who they are and what measure of deference or disregard each warranted. Even among men like her father, men who cared for a living, Charlotte had heard late-night versions of Great White Hunter tales, about patients with problems the books never told them about and that were usually the result of some strange thing they had managed to do to themselves, and these were the stories that had bothered her the most—the unavoidable exposure, the hoped-for and foolish trust, then the hunting tales that betrayed them. Once, even, she had overheard her father talking about her mother—‘will you just stop doing this, Mary,’ Bellows said to her. Bellows was another colleague of theirs in the practice. Charlotte had seen the cuts, too, but until that night, she had not known how they got there.


Around the fire the three of them sat. Reuben had found the desiccated root of a cottonwood five to six centimeters in diameter, and had begun carving it. His nose was striking, the kind suburban women with stereotypical views about Indians might want to paint, with a strong straight center bone, the flesh planning down evenly like the sides of a tent, one in shadow and the other a coppery gleam against the firelight. Harry was reading aloud from the fisherman’s guidebook about Dolly Varden, the trout they were after, “maximum weight, six to seven pounds, 18” long, hearty and colorful, stunningly spotted in scarlet with halos of pale silvery blue.” A log had settled out of the fire and he poked it back in among the embers, releasing a miniature outburst of sparks. “Dollies are anadromous—seagoing.”


Over in the river shallows they could hear the hollow booming of the oil drum against stone. It was so deep and muffled by the current that the sound seemed to come to them subliminally, like some kind of animal, a moaning beast out there calling to them, needing, needing, needing and not about to give up.


“Expect strikes to be savage,” Harry read.


Charlotte had recently begun biting her nails again, a habit leftover from childhood and the time after her mother’s breakdown, a habit now revived with a vengeance. The sound of the drum banging restlessly in the eddy was getting to her. Abruptly, she tore her hand from her mouth and leapt up, plunging into the water. The drum sent up a great rumbling commotion when she reached it; under the trees the Arabian began to dance nervously.


The Indian didn’t rise to help. Harry scrambled his boots off, but Reuben extended one hand, palm down, and Harry stopped, and then the two of them stared into the fire, listening to her struggle to shove the oil drum out of the shallow eddy and into the main current.


Harry put away the guidebook. Reuben’s knife hesitated, then a thin curl of cottonwood grew from it, and then another and another.


“The doctor said to talk about it,” Harry whispered to her later in the tent.


It was pitchy inside the tent walls, but somehow she could see the negative white of his eyes. “I don’t really want to talk about it.”


“He said it would help.”


“I told them everything.”


“Char.”


“The hard parts too. I told everyone everything.” She was thinking at that moment of the younger of the two RCMP officers doing his level best not to expose a twitch of emotion about what she was being asked to tell them, what she heard herself having to say to strangers, to herself who had now become a stranger. “I’m through with my talking.”


The officer had not been much older than she. It was worth hating him for, that and his fumbling inexperience, his dropped clipboard, his fat tender face and the tiniest glint of excitement she was sure she had detected in his eyes. It was like having to talk to a brother, if she had had one to talk to.


Harry propped himself up on one elbow, trying to see her through the darkness. She hadn’t cried yet and they all seemed to be waiting for that—signs of release and metamorphosis. A proper lamentation. But what was it that she had lost? What had slipped from her hands? What had died and what could she grow into, now that she had been ruined?


“Charlotte,” he whispered, “I’m almost a doctor.” She could hear in his tone an attempt at some misguided order of distracting levity, a detour onto the sunny well-tended boulevard that was Harry’s life and career where it was always safe to talk or cry, or to be yourself, because everybody would still love you. Harry was not afraid to be at anyone’s mercy. “Why won’t you talk about it, even with me?”


She rolled over. “For all the obvious reasons.”


Adoration was a dangerous proposition, potholed with hazards, obstructed by roadblocks, strangers asking intrusive questions that challenged your assumed identity. One day, one look across a room at him, and there were things you knew you didn’t dare reveal about yourself. Parts of you were quarantined as abruptly and dismissively as if officials had nailed a sign to your forehead—until further notice—or until you had somehow determined his receptivity—or his immunity—to the bad habits, the nasty thoughts, the lies that lacked any real point, the silly female rituals of love, the regrettable but not forgettable deeds of youth that you were convinced said more about who you were than all the make-up days that followed or coincided with that downfallen, down-at-the-heels version of you yourself.


She hadn’t told them everything. She hadn’t told them, for example, that she had been hitchhiking. They might have thought that she had been asking for it, or at the very least, that she had been reckless. Or that she was some sort of girl that she was not, a girl who hitchhiked.


On the second day they rode east along a creek that cut through the mountains, traveling in and out of shadow and then, leaving the creek, they found themselves beneath the tall fir and cedar and hemlock, resolutely in shadow. A disturbing quietude enveloped the Arabian. Charlotte began to worry that something important had gone out of her; began to wish for the fire and fight of the day before. From the trail a damp fecundity issued, and clouds of mosquitoes materialized, with single or double deer flies orbiting her dark curls and buzzing protest whenever one or the other became entangled. The thumping echo of slow hooves marched them along steadily, the Indian, the girl, and the tall young man leading the pack mule, and for a while no one broke whatever spell had been cast once they had left the sound of moving water and entered the silent forest.


Not long after, the Indian turned his horse, a stocky old stallion unexceptional but for a striking compliancy, and came back alongside Abra. “They like hair,” he said to Charlotte. “Hair like ours.” It was true: the deer flies did not bother Harry with his thin colorless wisps. Abra lifted her nose against the old bay and snuffed as Reuben handed Charlotte a tin of some kind of homemade salve, sharp and bitter smelling, that she was to rub around her neck and tousle into her thick curls. Reuben did the same to his own neck and hair. He had small blunt hands, but they moved—as he did—with a fine deliberation. Everything about the way he moved, in fact, suggested someone conserving himself in the face of an impending battle, an illness that he knew he could not beat, or an unbearable feeling that he knew he would simply and finally have to feel. For the first time since she had met Reuben, she offered a smile and he returned it with a slow solemn nod before resuming the lead.


What possible motive, she had to wonder, could this stranger have for treating her with such unearned and mannerly respect?


Behind her she could hear Harry humming something; he had such a reassuring voice, not especially strong but clear and valorous as rushing water. When the humming stopped she glanced back and saw that he was reading from another of his guidebooks, the one on native trees and plants. It was knowledge that bore no interest for her except in so far as having it might help her acquire some of his power. Harry was a great conqueror of things. When he took on a subject, he took it over entire, not obsessively but with a sanguine thoroughness that sometimes made her nervous, as if, once he had delved her through and through, he would leave her behind just as thoroughly. Charlotte did not want to be another topic on which one day he had finally sated himself. Even if there were not other reasons to hold some of herself back, this was reason enough.


And could he ever forgive her for this new knowledge she had not wanted, for what she had learned about men? A sudden raw shame came into her stomach. She was no longer innocent. She knew things, had done things. All of the shine of being Harry’s girl, Harry’s trinket, had been rubbed off. A dirty, needing, wanting world had simultaneously converted and convicted her: she was an adult. Adults did not need protection. And the very last thing she could stand to lose was Harry’s protection.


A polite distance had opened between Abra and Reuben’s old stallion. She watched the muscles of his rump flex, alternating with each step, left, right, left, right, unhurried and obedient, and felt herself settling into a dozy comfort. Between the Indian and Harry she felt safe; they were keeping her safe, these two men each with his own fields of knowledge, each a conquering hero. For now, she was safe.


And in that safety something terrible stole to the surface: They would not be looking for someone who stopped for hitchhikers; they would be looking for a man with a different approach, more aggressive, more obvious. And there might be another girl out there like Charlotte, just trying it out, hitchhiking for the first time, who maybe was mad about something, in that sort of mood, the devil take it all. There was something real and tangible at stake here—another life, another satchel of innocence someone had managed to carry away from the kingdom of childhood with its unsleeping monsters and its daily traumas disguised as lessons, all of them coming thick and fast as locusts in a private and inescapable parable of biblical proportions. Family bibles, she thought, each one personalized with barren dreams and born crosses, suppers trailing betrayals, doubtful redemptions.


Parables…people either broke down or went off, leaving you alone…that was what her life had taught her. That was the moral of her story. Relentless contingency.


But there was another life, anonymous but real.


She had missed the bus because she and Harry had had a bit of a row. About a woman who was going to be a doctor too—one of his classmates. Alex was her name. Charlotte didn’t even have a major yet, and was in fact considering dropping out, now that she’d met and married Harry. What more could she want, after all? After Harry.


Alex, she thought, staring into the melancholy depth of the forest whose tree trunks and branches scratched out the distance and held her to the narrow viewless path. Alex was probably Harry’s equal in ways that Charlotte could never dream of being or achieving. Even her name suggested equality, male but not male. Charlotte had not understood that Harry’s friend was a woman. Alex this, Alex that. She pictured them side by side, peering into the half-dissected vitals of a bird or a rat, poking about with cold steel tools and making cold steely notations in journals, cracking jokes only an insider could get. Making eye contact.


The bus was gone and there she stood on the curb. Harry was back in the Faculty of Medicine building, and Alex somewhere in there too, and Charlotte was needing to file some kind of cosmic complaint, not exactly for his having Alex, or an Alex, but for occupying a world to which Charlotte would have only peripheral access, wifely access…social events or professional functions or perhaps during staff vacations, she might fill in as the receptionist. She might even help with accounting. She’d always been handy with numbers. Having children would increase the stakes, but just about the time they went off to live their lives, her female charms would begin their inevitable slump and slide. She might take up volunteer work, join a book club, take a last-ditch lover, have a small-scale breakdown. But it would all be part and parcel of the inequality for which she had gladly signed on. She hadn’t driven much of a bargain, had she? And here it was, the seventies. From the very beginning she had been dazzled by Harry. She hadn’t given herself much of a chance or even tried to be a person yet, she’d been so busy setting herself up as Harry’s protectorate.


They camped late along Hat Creek. Using grasshoppers, Reuben and Harry caught a string of rainbows, no more than what they could eat that night, and Charlotte boiled rice, and then there were two cans of Le Sueur peas upon which she had stubbornly insisted. No matter the healthy attributes of frozen vegetables, Charlotte would never give up canned Le Sueur peas. Reuben had gone away and come back fifteen minutes later with a bright orange mushroom, chicken-of-the-woods, which they fried up with the fish. After dinner, after scrubbing the tin plates with gravel and creek water and spacing them out on a downed tree to dry, Charlotte took her towel and wandered downstream until she found a deep enough pool to bathe in. Washing had become especially important, all parts of her body but some more than others. The men had been reminiscing about Harry’s father, and Harry’s voice had gone wobbly. It had been a long day. Everyone was tired. She did not want to hear Harry’s voice with so much feeling in it, not now, not this week. It had the effect of unstitching some of the day’s seams enough to send her back to the tent and into her sleeping bag before any more came loose.


Within minutes, a car pulled to the curb, a turquoise VW beetle, maybe ten years old, judging by the thin chrome bumper and the seat configuration. A cheap car, repainted, balding tires. A student car. Clean—she had noticed that. It had made some kind of skewy difference as she leaned down to look through the passenger door glass. She can’t now remember what he said. What she said. What she remembers: nice-enough looking guy, brown hair cut short but not so short that it said something else, something you wouldn’t want to know. A man who was too fastidious could not be trusted with the accidents of being human. Small brown eyes, round as beads, olive skin, like her own; a checked shirt on a slim torso; flashing smile, bored, or hurried—one or the other—that tells her he might be doing her a favor, that he probably is doing her a favor. So she gets in. Because that’s all she wants right now, a favor from a stranger. Maybe he looks a little like Ricky Nelson, or some other teenage star. She’s not sure. She’s not sure now and doesn’t really want to know, because then she won’t breathe so well.


He has his left hand on the steering wheel and it looks like it’s trying to be casual, that hand with the fingers draped over the top, tapping, though the radio isn’t on so there’s no beat to follow. It’s the other hand that isn’t quite right but she can’t say how. Not when it’s shifting. When it’s shifting it looks fine, but in the space between shifting it seems to scurry back toward his body, or the seat…she’s not sure. There is a smell…vegetables…broccoli, it’s in the top of a paper bag, back seat—he’s been to market. Heading home. His window is half down. Hers is all the way up. The smell of the broccoli is making the car feel smaller than it already is. When she tries to find the window lever he says it’s broken, but it’s actually simply gone. Maybe that’s the first sign. They’re on the Lions Gate Bridge and it’s not so far from Lynn Valley, from the neat middleclass neighborhood she lives in with Harry Fairbanks in their rented bungalow, and so she just wants to get over the bridge and figure out the rest of the way some other way. Walk. That’d be fine with her now. There’s a lot of traffic that is helping her feel all right about this in a roundabout way. Commuters. Commuters seem to make everything feel normal, crankiness and petty aggressions, tailgating. She’s never before hitchhiked, and she decides she’s just nervous. Her mother used to say dramatic. That Charlotte should grow up to be an actress. Her backpack is propped in the gap between the driver and passenger sides, and she rests her hand on it, as if it’s her dog watching out for her. Some of her friends hitchhike regularly. She ought to be able to do it too, though Harry’s always telling her she looks too innocent for ice cream practically. It is something he seems to like about her, so she doesn’t tell him otherwise. It is part of the part of her that isn’t quarantined, her presumed innocence.


He’s telling her that he goes to college too, not University but one of the city colleges. Money, he says, apologizing. It feels like a line he’s used to advantage. Struggling, hard-working fellow cheerfully accepting his lot, making the best of things, philosophical about it, not jealous—that line. Some part of her decides to buy this line. And why not? Half of who anybody was was who he pretended to be, or wanted to be, or had to be just to get along. Then he’s talking about girls he’s dated and how difficult they are, making him quit smoking before they’ll kiss him. University girls, not the ones at the city college—most of them smoke, he says. Now she remembers that he’s chewing gum. He keeps his mouth closed. Someone has taught him manners along the way, but he has a slight under-bite and it doesn’t look all that easy. She would rather not hear about girls and how difficult they are. She’s wondering why he was driving around UBC when he attends one of the city colleges. “I quit smoking 2.6 weeks ago,” he’s telling her, and she makes herself mentally deliberate the .6, whether it means 6 out of 7 days or six-tenths of a week, because he’s still saying things—about mood swings and lack of sleep and periods of random aggression. He says the word “gum,” as if he’s saying “uncle” and surrendering, then gestures at his mouth and smiles without parting his lips. It’s not really a smile, it’s a flinch. She wants to get out of the VW now. A dumb word enters her mind—shenanigans—one of her mother’s. “What sort of shenanigans have you been up to?” Charlotte needs to laugh…shenanigans, shenanigans, shenanigans, she repeats to herself, trying to shrink what’s happening down to a prank.


At the end of the bridge they drop into West Van and she suggests that he let her off at the next corner. “Right here is fine,” she says lightly, trying to sound unfussy, trying not to officially recognize what might be happening, giving him a chance, an out, a merciful lie, and stifling the panic that takes up her chest like a ballooning explosion.


He doesn’t even slow down.


By late morning on the third day they made it well into the lake region. Crossing the Bonaparte River at Scottie Creek, following it east, then turning north before reaching the Deadman River, they simply began to wander. Each lake they passed sat quietly hopeless below them, passive and bound up in woods. It was a cloudless day, the sun bleak and ubiquitous. Most of the bodies of water—lakes, ponds, reservoirs, big and small—were named, but the one the Indian finally led them to had no name, or no name that he knew of, and he knew that country better than any, the outfitter had assured her.


“It is called No-name,” he told them, which made it worse. Saddened her. It seemed to render the lake vulnerable, unqualified for protection, the formalized namelessness of it. And it was embarrassing too, that it had not even merited a name or inspired a friendly idea, a moment of vanity or possession among early visitors—Bonnie’s Lake, Heartwell Pond, Loon Lake. Here they would find Dolly Varden, fish with a proper name, and yet they too would be violated. The named and the un-named. Sooner or later, everything was violated, driven down to the knees of anonymity. Who were we, she wondered, if we were just like everyone else, dirty and wanting and needing, anonymous as we wheeled toward death in our passing cars?


They had arrived late. Reuben grained the horses and the mule, then she helped him stake the animals in a sunny glen near the campsite where there was a variety of wild grasses growing—wheatgrass, wildrye, bluegrass, needlegrass. The needlegrass sewed itself into her socks as she led Abra and Harry’s big chestnut into the glen, the chestnut steadying Abra down to a tentative walk, the trust between them still cautious. For a while Charlotte sat in the shade, picking out the needles, trying not to think. Harry strolled down to the water to make a few casts at the place where a stream left the lake. Every now and then the light touched his fair hair, marking where he stood and acquitting her of thought. So long as Harry Fairbanks was there, believing she was still who she was, she did not have to think too much.


Soon, two Dolly Varden, not like the sleek silvery Rainbows of the night before but fat with a blue blush of color banding their sides and brilliant red spots, swung from a length of cedar that bowed from their weight. Reuben ran switches through them, mouth to tail fin, and they were cooked whole over a fire until their flat glassy eyes hardened, and went as white and opaque as dried beans. Kype-jawed, she had to notice, because it reminded her of the man in the VW with his underslung mouth.


The no-name lake and the cloudless sky and the primeval emptiness were conjuring a desolation all their own, as if bad things had once happened in the place. Even the blue smoke, whorling and quixotic through the trees, seemed baffled. It was too quiet. A breeze that they could not feel up on the slope under the trees was chaffing the surface of the lake, portending trouble they were too ignorant to detect.


After supper, the Indian threw his bag on a tarp down by the water and in the late light stretched out with a book—poems, of all things. She’d seen him with it the night before, and it tended to complicate him in ways she didn’t know how to resolve.


Harry was already in their tent, which from the outset had been a concession to his notion that women needed privacy. Harry could be counted on to give up things for her, and though she did seem to need a great deal of privacy right now, his thoughtfulness was galling. Needing it, she felt ashamed. “I would like to hold you, Charlotte, if you will have that,” he said in a voice so gravely formal that she felt sorry for him, as if what had happened had forced him back to an era when courtships were endless and women chaste as fresh cream.


Out of the question, she heard herself think. What she said while she sorted through some gentler surrogate words was his name, “Harry,” and he took that for assent. Maybe it was—just a little. She kept her back to him though, where the muscles were bigger and blunter and there were fewer nerve endings. Why, you could practically run a needle through them and expect nothing worse than a distant ping of alert, the brain hardly bothering to acknowledge pain so inconsequential, so far away. It seemed a good way to be, distant and removed from injury. You could get on with things that way, keep running, keep keeping on. That was what was expected. But why did people expect such grand things of someone they didn’t know? To keep living, to keep caring? There was a certain brand of universal importunity obtaining, a kind of species-wide peer pressure to buy the line, all the clever lines, and stay alive no matter what. Life is grand, isn’t it? Yes, of course it is. Life is so grand.


Lying there with Harry’s breath on her neck, the bunched sleeping bags generous and soft fortification between them, she thought about the eyes of the Dolly Varden, white and impassive in their deaths. It was how she felt now, if it could be called feeling—sightless and impassive.


“Tell me something good,” he whispered.


“I can’t think of anything good.”


“Then tell me a good lie.”


She said, “I love you.”


Harry gave a laugh that was really just his breath leaving him. “Is that the lie?”


“Water,” she said. “I like water.”


Glad, it seemed, to have found something that might distract her, he asked her what about water.


“The way it feels around my skin, the way it holds everything in place, the pressure of it, like borrowed skin, except I can still move. I can still get away.”


She was no longer sure that she loved Harry Fairbanks, because she was no longer sure who she was, or who the she was who had once upon a time loved him. But one thing she was sure of was that it didn’t matter either way. Nothing mattered. If she could have she would have erased her name to end once and for all, all mattering.


How would it be when they made love again? When she lost herself in touch entirely, which was what happened more often than not? Harry said that she was a sensualist. No more than the next girl, she thought to herself, though she couldn’t help feeling a little ashamed. It was only that she knew how to shut off her mind and for a while live through touch. How would it be if she found herself doing something new? Would he look at her as if he didn’t know her? Would he say something awful…do I owe this to him? “Don’t be insulting, Harry,” she might say. More likely, shame would exile her to the land of silence.


They met on a University-sponsored ski trip to Whistler, Harry one of two leaders commissioned to teach a group of sophomores Nordic skiing. Late one afternoon she had taken off her skis to climb up a tumble of boulders for the view, and one foot had gone out from under her, disappeared down a crevice and wedged. For a slip of girl lacking muscle in her arms, it was all she could do to hang there on winged elbows and bent knee, jackknifed for dear life. Several of her girlfriends skied by but dismissed her calls for help as fraudulent. And it may be that they were, that if she had tried harder she might have been able to extract herself. Out there in the meadow with the others, teaching them telemark turns, was Harry, a marvelous skier, and she knew that sooner or later he would come. His irritation with the others for ignoring her seemed to codify the incident and purify her motivations. The sun perched high behind him, the snow was blinding, the air aglitter with icy crystalline flecks, and she could not see his face as he hooked his arms beneath hers and pulled her from the crevice, suspending her for the longest time so that she might work her boot free from the crack. She’d been up there more than an hour, and her hands had gone white. What he did was to lift his parka, his turtleneck, and press her hands in the warm hollows of his underarms. “No,” she said, “they’re too cold.” They were too cold. But he only gazed at her, into her eyes, with the intensity of someone sure of himself, of all the right things that there were to do in the world if only you’d had a good solid life, one that let you believe in things. Harry was happiest when he was helping someone. On her warmed hands his scent, with its salty tang of authority and exertion, suggested all she needed to know about him as a man. His upper lip quirked into an unexpected and unabashed show of passion. Instantly, as if some ancient cog had ground round at last to catch up another cog long ago meant to have been caught, the machinery moving now and something back there in the crowded cluttered clanking works beginning to sing, their meeting animated a classical dynamic: distress and rescue, innocence and protection.


Now Charlotte wondered how much she had not seen gazing up at Harry in that dazzling white light. How much she had tricked him into imagining about her.


Sleep was a valuable enterprise. She was not sleeping so well. Night terrors; gory images; weird sex. How was it that these terrible things were inside her? Where did they come from?


Human beings were horrible, one way or another. God curse us, everyone.


She reaches for the door handle, ready to jump out as soon as he has to brake at a light or a stop sign, to jump out no matter the stopping, the going, but the door doesn’t open because the door’s locked and at the base of the window the up-down button is missing. He says something, something that goes with another flinching smile. Charlotte can’t remember that part, what it is that he says at the very moment she understands with every cell in her body that she’s no longer a part of the world out there, the one washing by her window; she belongs to this world inside the VW, and the other world, her world, is past and gone now, zooming out and away like the expanding shock waves of an explosion.


He takes her into the neighborhood where she lives with Harry. The man doesn’t know it and she decides not to tell him. Maybe she is protecting it, her home. Or maybe it is as if she has already said goodbye. Has already entered this new order. They roll by the house; she can see the lawnmower where Harry left it by the side gate, and the three pots of herbs on the front stoop. She is supposed to water them when she gets home. It is the only moment that opens a thin crack, a welling of tears. Time is stopped, or ripping past, or launching her into fright—it has so completely lost its measured and faithful validity.


He is holding himself. He may have been holding himself for a while, maybe six or eight turns, one quotidian block devolving into another, all the houses with trimmed lawns and topiaried hedges gazing sightlessly on her and her captor as they pass by in the slowed motion of nightmares and car accidents and suicide jumps from window ledges. She never learns his name. No-name. He takes her just four streets away, to a cul-de-sac formed by the western edge of Lynn Canyon, and turns off the engine.


“You don’t need to do this,” she says.


“Now, why is that?” he asks.


She can’t really hear him; she seems to see the words in her mind, minus whatever personality inhabits his voice.


“You’re a perfectly nice looking fellow.” Having just seen her home with all its now bygone promise and possibility has imparted some strange state of calmness, as if just seeing it must mean she will see it again. At the same time it is as if she was viewing old photographs in the album of a lost life. “You can ask girls out. You could ask me out,” she adds, trading in a concept that belongs entirely to this new order. The one that is telling her that she must survive.


The knife has been there all along—she realizes that. It must have lain alongside her backpack, slightly hidden, occupying his right hand whenever he wasn’t shifting. A long steel blade like the kind her father uses to carve meat. When he isn’t touching the knife, he’s holding himself. There is a lot of flesh rising between them, flesh and steel.


“I would go out with you. If you asked me out properly, I would accept. You’re a nice looking fellow. You don’t need to do this.”


“Describe it,” he tells her.


It takes her a little too long to understand what he wants, and he has to say it again.


She does what she is told to do. That and the other things. He wants her underwear; she removes them, he puts them in the bag with the broccoli while she pulls her pants back up. So far he has not touched her, and she takes this as a good sign. She has been instructed to touch him, but he has not actually touched her. Maybe, after all, he’s just a piss-ant, a coward. She begins to feel sorry for him, to need this badly, to take these actions; she is, in fact, embarrassed for him. Her own base instincts, like that one at the very bottom, the one that is telling her to stay alive, she is still reticent to expose. Exposing her own needs would put her at his mercy. Right now she still owns some of the action, some of what will end up being deeds.


She talks about school, about her life, peppering the surface of this new world with casual chatter, as if they are indeed on a date. She never mentions Harry. She says again, “Why don’t we go out for a regular date? We could do that, we could just go out on a date. I would like that.”


It may be that he did touch her. But she just can’t remember that part.


They have entered a place that is a time without name. It is all action, with deed as the outcome of that action, the past tense of action. Or maybe the past tense of action was regret. Time and space are one in such scenes. And she is trapped in such a scene before it must be condemned to deed.


That night, Reuben told her, she went down to the lake, walking into the black water with great quietude and courage, as if there was someone out there she was scheduled to save. She was wearing one of Harry’s white undershirts, and so was visible even in the snuffed light of the new moon and the hard little stars pinned into the night sky. Thirty or forty yards out, she stopped and floated on her back. Then she began to swim toward shore. He could see the white of the undershirt and hear the movement of the water, and he knew—he told her—that she was at home in water, and so he was not yet concerned. It wasn’t until she reached the shallows and the sloping bank touched her feet that she awakened. And then immediately he entered the water to catch her, her breath coming sharp and fast.


“You were asleep,” he said.


She stared at him. He still had his short strong arms around her rib cage. He was not an attractive human being, his face too broad and his skin damaged, but he had the sweetest eyes she’d ever seen. She started to cry then, crumpling against him.


“To see in this darkness what you don’t know…” he settled her on her feet before him and opened his palms to the hard little stars, and nodded, “that is something. But to see what you don’t want to see…”


Once, when her father had gone off to a conference in Toronto for four days, her mother had all the stone in the house painted white. One coat for every day that he was absent, so that by the time he returned, the glossy paint was so thick, and still not quite cured, that you could press tiny frowns into it with your thumb nail. Her father had loved that stone wall surrounding the hearth; had laid it himself; had run his hands across its rough surface in thought, in boredom, in appreciation of its tactile proximity to earth.


She had every tree on the place cut down, too, even the Mountain Ash he had nursed from a seedling.


She slashed a giant X into the mattress and packed the wound with rotted apples from the neighbor’s orchard. Then she used the knife to carve words into her arm, not so deep to kill, but still legible: a pity about the nights in bed.


So. So…her father had seen what he had not wanted to see.


They have been parked on an ordinary neighborhood street, houses facing other houses and at the end, a guardrail that keeps cars from plunging over the bank and down into Lynn Canyon. They are stopped parallel to the guardrail. It is not yet the time when families have all arrived home from work or school, and the street is quiet, though she is hopeful that inside one or more of the houses there are people beginning to wonder about the turquoise VW parked on their street. He tells her—and once again, she can’t really hear his voice, can only see the words scurrying across her mind like terrible rats in the Devil’s own penny arcade—that they, meaning he and she (they are a couple, it seems, in this new order), they are going to go down into the canyon together. He doesn’t pretend to anything ordinary, like a nature hike or even a fete of groping and drinking that young people enjoy under trees and beside bodies of water. He says: “We are going to go down there now.”


“Why?” she asks. The fear that she has held back suddenly dissolves into some kind of icy liquid metal veining through her body.


“I’m taking you down there now.”


“Why can’t we just have a date, a real date? You don’t have to do this.”


He says things… about how she looks and that he’s sorry she had to be so pretty.


Had.


“I’ll come around to the door and let you out,” he says finally.


“You don’t need to do that. I can let myself out. It will look funny, if you come round to let me out. People might notice. And anyway, you can trust me now, can’t you, to let myself out? Here we’ve been sitting and talking about everything under the sun, and a date, a real date, and surely you can trust me now to let myself out of the car.” In truth, it is only she who has been talking.


“A date,” he says, flinching up his smile, emitting a huff.


“Sure.”


He studies his reflection in the knife blade. “I don’t believe you.”


“Look, I’ll give you my number…” she fumbles in her backpack for a pencil, a piece of paper, adding cheerfully, “Friday’s best for me. Only one class, early. You can pick me up in the same place.”


Somehow, it is this flurry of routine date-making details that causes him to hesitate. Looking not quite confused and not exactly off balance, maybe wobbled, maybe even the slightest bit pleased, he accepts the piece of paper she extends, her number and address—both false—scrawled on it. For a half a second he seems to belong to, or to recognize, the old world, the real world, not the one he has been busy creating inside the VW. Then he reaches in his breast pocket and extracts the up-down button for the door lock and simply hands it to her. He zips himself up. If they go down there she figures that he will have to kill her. In every terrible chaos of action and details, there is usually one point of exit best recognized by someone down there in the cellar where good and bad, black and white, freely consort. This is her point of exit. At the same time, she has accepted this new world so wholly, and acted so well across its stage, that she is actually worrying about hurting his feelings even as she casually, casually, screws the button back in place, opens the door, and runs.


He starts the engine and as he spins the car away he throws her backpack out the still-open passenger door.


No backpack, no identification, no name, no blame.


So, after all, he is a piss-ant, a coward.


The door is open at the first house she comes to, the screen door in place. A man is sitting on a couch in a dimly lit family room, watching the television. She cries through the screen door, “Help me, please, he tried to rape me, I need help! I need a phone…police…”


The man says, “I don’t want to get involved,” and rises to shut the door.


Next door, a woman in a kitchen, her husband approaching behind her. Charlotte says the words again. The woman picks up the phone. Her husband leads Charlotte into a living room, a cozy quiet sanctuary where good lives have gone on, and offers her a place on the couch. When the RCMP arrive, the couple hover in the doorway, looking worried about Charlotte, looking beautifully wonderfully human.


The kindness of strangers.


The owl woke her up. Harry was already gone. It was sitting in the Doug fir that towered over the tent, looking for the world like a small amputated human being, all torso. Heart’s home. Somewhere not so far away that she couldn’t tell its northerly direction, was another Great Horned Owl responding to hers, questioning her identity. Who, who, who. She did not feel so bad, or not as bad as she thought she would after the sleepwalking.


They were probably fishing. It was early, only five, and they had to have gone down to the lake to cast when the fish would be feeding.


Comfortably abandoned, she squizzled back into her sleeping bag, glad for the time alone and sad for it, as well. All the mornings of her world with Harry would be spent like this, with him gone off to work and the silence of the house and a day, already fractured, that she must learn to piece together. But how? She hadn’t given herself much of a chance, had she? She’d stuck out her foot and tripped herself at every turn, hoping for someone to pick her up, someone who might restore what had been taken a very long time ago.


Overhead, the owl who-who-ed again.


And if she didn’t know who she was, how could Harry? If she had to conceal so much of herself, lie about the unsavory bits, or maybe it was mostly the unlucky bits, to hold him, then she could not finally keep him. To have and hold him, she had to consent to letting him go. The idea of leaving him felt brave and cleansing. Even noble.


Anyway, she couldn’t have told him everything, how people survived one blow or another, that sort of thing. Mothers who had gone round the twist, piss-ants who would as soon kill you as date you. It was no one’s business how one survived; survival was a private matter, and the capacity to inhabit other worlds, however temporary, to understand a murderer’s heart, for instance, or the strange everywhereness of knives and fear, was no one else’s concern. Harry Fairbanks had never had anything, really, to survive. It was Harry who was the innocent.


Finding in this realization a hard satisfaction, something she might feel, like a flat stone in her pocket, as she walked away, Charlotte tried to smile, tightening the sleeping bag around her shoulders. A fine mist of condensation had formed on the ceiling of the tent, evidence of breath and warm-bloodedness, and she reached up to run a finger through it…Charlotte, she wrote, the name disappearing even as it took shape.


In memory what was a life anyway but a series of tableaux vivants that you visited now and then, like any tourist? Harry, her fellow tourist, appreciative, eager to believe, had thought that she was actually living when what she’d been up to was arranging things for his, and perhaps everyone else’s, approval. What was left now to believe in? What was real?


Briefly, she thought of the Indian’s solemn expectant face, the way little girls’ faces were….


But people do survive, she thought again. Somehow people survive, though the means are not always salubrious. Of course, it may have been better not to have survived. At the very least, there would have been some clarity in that. Things would have made better sense, responsibilities assigned, punishments meted out, rewards awarded. Her mother had not survived, not intact. Her father was in Ottawa, making an ad-hoc go of things. Their little family had been cut down back in Penticton, right along with all those trees. But Harry’s parents…even dying, they had survived together. What a marvelous legacy.


The owl overhead had been silent for a while.


She would have to tell Harry that she had been hitchhiking, or tell the authorities—someone who might keep it from happening again to someone else.


She felt strong and somehow better—briefly—than the human that she suspected she might be.


Harry. Thinking his name, she wanted to cry. Beautiful man.


Harry was the sort of person you became if you’d had a normal life.


Harry was also the nicest thing that had ever happened to her, rendering him wholly unbelievable.


It was best, really, to remove herself from his life. She simply didn’t deserve him. He would argue with her, but it was not an argument he could win. He had never been much good at the mazy logic of emotions.


An exciting and headlong uncertainty rushed over her. She could do anything she wanted, wreck anything she felt like wrecking. No one would care. She might even secretly survive, which would make for a different sort of wreckage. Live a solid, solitary life, independent of anyone, needing no one. She could be a gardener, a landscape architect, as they called them now, helping things to grow and thrive. People might even admire her solitariness, her way with plants; might wonder among themselves about Charlotte as she aged away from the possibilities that radiated like rolling green fields around youth.


A sound suddenly, then in the next moment a shadow spreading over the tent, followed by the laborious whoop-whoop of the owl’s wings lifting him heavily away. Everything fell before it could rise. Even great owls.


With the owl’s departure, Charlotte decided to pay a visit to Abra, say hello. The long grass was soft and dewy up to her knees, and she was glad to be barefoot in the cool morning, glad that Harry was gone and that she had had the owl to herself, glad to have Abra to visit. Dropping over the rise and down toward the glen, she saw that all three horses were gone; Reuben too she discovered gone. Only the mule remained to eye her dolefully and waggle its halter, asking for grain and attention. What every creature needed and sometimes deserved.


Rushing back to the camp, she found everything eerily in place—grub boxes, tackle, the fishing rods secured against a tree, last night’s plates stacked on a log. The lid to the coffee pot was off and the pot itself filled with water and sitting on the grate, but no one had started the breakfast fire. A loaf of bread sat on a board, one piece sliced, the knife half embedded in the loaf for another piece. Off to the side Reuben’s tarp lay neatly folded with a stone on top to hold it down. His book of poems too, and the cottonwood root he’d been carving. She picked it up. It was Abra, her angular face and in-pointing ears. Had he carved it for her? Harry’s can of peanuts was just over there in the pine duff, exactly where he had left it when they’d been drinking whisky the night before, waiting for supper.


Why had they left her? Where? Why hadn’t they waked her? How could they have left without her? Something terrible had happened and they had simply left her. Or something wonderful, and they had ridden off to see it and had forgotten her. Or she was too small, too weak, too much trouble, not worth it… She glanced over at the tent, the Doug fir towering over it, the owl gone. The air, the trees, the water, all perfectly still, the absence of sound frightening, as if the world had sucked back into itself and left her utterly alone to fend for herself.


Abruptly it seemed important to be dressed, to have some protective coating, to be ready. In the tent she pulled on her boots and a wool sweater. Still cold, she dragged the sleeping bag with her to the stump she had occupied the afternoon before, and sat to wait. Her legs felt leaden, her hands were shaking. They had taken her horse, too. They had taken her way to get away. The mule was no good. You couldn’t escape on a mule inured to pack. And anyway, where to go? How to go? And what if it wasn’t Harry who came back, or Reuben? What if it was someone else who found her there alone, who might take advantage, who might hurt her? Nothing was as it once was; everything felt empty and alien and hollowed out with menace. The world was no place to be.


If she hadn’t reason enough to leave Harry Fairbanks before, she did now. He would pay for this. If he came back, he would pay.


She had never been that important to Harry, never—she realized that now. Perhaps she had known all along. It was his work, his colleagues, like Alex, who really mattered. Who held his interest. He had a whole life, rich and rewarding, and she was just…just a girl. Or another one of the subjects he had swiftly dispatched.


For the first time in her life, she hadn’t the faintest idea what she would do. As if to sort it out somehow, to stumble upon the thing she must do, she got up and walked down to the lake, looked at the water, flat and impervious, knelt to feel the temperature—a swimmer’s habit—without really noticing it once she had. She went and looked at the mule again, who this time ignored her. She stared at the impressions left in the long grass where the other three animals had stood and stamped for oats. No good at making fires or at cooking over one, and not even remotely hungry, she nevertheless picked up Harry’s tin of peanuts and rattled it gently, carefully replacing it within its perfect circle in the duff. As afterthought, she kicked it away, finally surrendering to tears and the increasingly familiar chaos of fear.


If Harry returned she would not submit to him, to his reliable kindness, his love, his male assuredness, his categorized food. Whoever she was or might become, it was equal to Harry Fairbanks—different, but equal.


God, she hoped he would come back to her! Then she might properly leave him—on her watch. But just to see him again, coming toward her….


It was two hours before they returned, trailing Abra, lathered and wild-eyed.


She threw her head back and released a sound that might have been a word, or a hundred words.


“We almost lost her,” Harry called to her with a big smile. His face was red, his eyes brightly popped with that incurable enthusiasm of his, and he looked for the first time not so perfect.


Charlotte was already up from the stump, taking Abra’s halter, touching her neck. “You okay, girl?”


“She made it all the way to the other side of the lake, she was tearing up to the plateau like the world was on fire.”


“Well, it was,” Charlotte said, “in her mind.” She pressed her face into the crease behind the Arabian’s soft ears. “Abracadabra,” she whispered. Then she turned to Reuben, not yet ready to look at Harry. “There was an owl right over the tent.”


“An honor.”


“Yes, I know,” she said without really knowing why or how she knew, without caring about her tears.


Harry was beside her, one hand squeezing her shoulder and the other on the chestnut’s bridle.


“I don’t ride well,” she said to him coolly.


“Who could ride this screwy mare?”


“Don’t be so tolerant, Harry. It’s rather mean, when you think about it. And no, I don’t ride any horse very well. Never have.”


She looked up at him then, feeling ready finally for something unnamable but essential. “And don’t do that again. Go off without waking me, without telling me something.”


He tipped his head and removed the hand that had rested so comfortably on her shoulder, and shoved it into his pocket. “All right, Charlotte.”


Charlotte, not Char, she noticed. He was looking at her differently, as if she had changed her hair or something, but not without a curious bit of appreciation. “I guess I’m still getting used to being two.”


“Yes,” she said, “well, I suppose we all are.”




© 2013 by Lynn Stegner


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Writer's pictureRobert Giron

Void

by Karenmary Penn


Iris returned from work to discover her husband Cropper, still dressed in his brown uniform, sitting in the recliner, holding a grenade. It was round and muddy green in color, with a metal loop hanging from the pin.


“Bad day?” Iris said, keeping her voice light.


He lifted an eyebrow.


Iris sat on the sofa. “Where did you even get that?” She straightened her dress and looked around the room, for what, she couldn’t have said. Bare walls. Secondhand furniture. “So I had this client today, this little old lady named Millicent. She died at the dinner table. Her sister said she looked over and there was Millicent, fork in hand, staring off into eternity.”


Cropper leaned forward to put two fingers on top of the grenade, like a man deciding where to move a chess piece. Iris imagined picture frames and cushion stuffing and stereo components all exploding in a big unholy bang. Pieces of their life together, blown to kingdom come.


Iris said, “The sister brought in this raggedy red fox stole for Millicent to be buried in.”


She’d always been grateful he didn’t own a gun. Guns created a lot of work for funeral home aestheticians. Suicide was such an unsightly way out of life. The body tried to rid itself of whatever poison a person put into it—gas, pills, poison, lead. It shoved foaming, reeking pollutants out of every available opening. If people only knew that, maybe they’d reconsider their exit strategies. (Mr. Schmidt, while suturing the jaw of a decedent one day, had told her about bacterial decay and cells despoiled by enzymes to explain that type of “purge”, but she felt sure the body had its own wisdom and did not care to spend eternity full of toxins.)


Of course, old age was no picnic either: bodies rotted from within, brains eaten by dementia moths, bones transformed into chalk. If she could, she’d choose incineration, be one of those who vanished in the World Trade Center; everything about them reduced to blowing ash, to be vacuumed off untold carpets and bookshelves. Or perhaps she’d be one of those women in India who threw themselves on their husbands’ funeral pyres, disposing of both sorrow and carcass so efficiently, the embers of their lives becoming tiny orange stars, floating heavenward.


Cropper’s cheek twitched. He stared at the dark television screen.


“Did you watch something that upset you, sweetie?” Iris said. He was so exquisitely sensitive to betrayal that he couldn’t watch a movie in which one person deceived another. To him, it was the most cardinal of all sins, punishable by death, his own if necessary. His eyes were just this side of murderous when he looked up at her. She knew the look.


“Perhaps you’d rather be alone.” Iris thought she might have walked into an invisible storm of explosions and tracers, bleeding bodies and moaning. A company of ghosts followed Cropper into the bedroom every night. She occasionally awakened to see him sitting on the corner of the bed, slump shouldered, speaking with one of the phantoms who lived on his side of the room: Souza, Wartowski, Beaner, Old Man, Hassan, and Jojo. (Her side of the bedroom housed only one ghost. He wore starchy blue jeans and smelled of sawdust.)


“Drop your cocks and grab your socks!” Cropper would growl.


“I swear to fucking God I just swallowed some of the Wart’s brains.” He’d spit.


“Put that fucking cigarette out,” he’d hiss.


“Stand up!” “Lie down!” “Arms up!” he’d bark.


“Shh,” he’d whisper.


When he was fully awake, like now, she could look in his face and know he’d gone away, back to someplace hot and dry, a place filled with booby traps and death. She understood because she disappeared inside herself sometimes, crossed a frozen river to a place filled with squawking chickens. Fleas. A secret as big as a barn.


When Iris took his free hand between two of hers, she felt the burden of him, the sucking weight of his despair dragging her down, pulling her apart. She imagined herself skidding away from him, like a bug in a toilet, trying not to get flushed.


What she knew of his history amounted to stories that occasionally rose up out of him, unbidden. Just recently, as he squatted on the lawn digging up dandelions with a steak knife, he told her about the James Souza, how he hopped off the back of a Humvee and landed on a mine buried in the dirt. “His mom used to send him Playboys that she’d stapled Road & Track covers over,” Cropper said. Then: “He landed right on my boot print. Pow.” And then James Souza, like some dark Leviathan, sunk down again. Iris knew some of his stories and he knew some of hers but they seldom pressed one another to fill the empty spaces in between. And yet they understood each other better than most married couples.


“Are you having an affair?” he said, pulling his hand free.


She sighed. “Why would you ask me something like that?”


He said he’d seen her car, three Wednesday nights in a row now, in the parking lot of Mackenzie’s Wine Bar, late at night, when she claimed to have been at home. She told him her sister Rose asked her to go to MacKenzie’s, which was technically true. Iris asked, without emotion or indignation or even surprise, if he’d been following her. He didn’t reply. She wondered how she’d driven so far, on three occasions, oblivious to a boxy brown van lumbering along behind her. She pictured his pale face peering through a window, watching her sitting at the bar.


He asked questions and she answered them truthfully. She wasn’t in love with another man; she swore on her parents’ Ohio graves that she’d not made love to another man since the day they met; she loved him as much today as she did on their wedding night.


She knew Cropper wanted to believe her. At times like this, she resented the burden of being the one reliably decent person in his life. Eventually, he wrapped the grenade in a beach towel, and put the bundle in a Justin boot box on a high shelf in the linen closet. Iris felt tired watching him. Lately, her bones did not seem up to the task of carrying her through each day. They seemed more like balsa wood.


“I think I might need a bone marrow transplant,” she said.


He gave her a puzzled look, then smiled his sad smile and said he loved her. She knew it was true, even though what he called love was not the fragile, tender, eternal stuff that people wrote about in poems. Cropper’s version wasn’t so much eternal as it was bottomless and icy in places, with barbed, stinging things winging past.


They spent the evening on the roof, gazing through his telescope at the stars above. Cropper explained neutrinos and proton accelerators to her. He pointed out constellations and she pretended to see them, enjoying the feel of his rough cheek against hers. He could be so tender when he broke free of his own gloominess. As he put the telescope back in its case, he told her that sometimes a star couldn’t stand the pressure of its own gravity. It didn’t have enough energy to continue, and eventually it would collapse, crushed by its own weight.


“The end,” Iris said.


Cropper shrugged. “Not really. That’s how black holes are born.”


She shut her eyes to try and imagine the size of a billion galaxies but he interrupted her thoughts by saying something about a quasar having a “huge black hole spurting infinite streams of matter”, making them both laugh. Cropper could squeeze a sexual joke out of any topic. Sailing. Economics. He could have been one of those morning disc jockeys, if he had a more natural inclination toward lightness.


***


Iris avoided Mackenzie’s Wine Bar after that. She discovered a quieter place, a three block walk from work, called the Blackhawk Lounge. There she sat on a stool near the curved end of a grand piano, nursing a Perrier, listening to black man in tuxedo play jazz. A group of men wearing suits stared at a baseball game on a muted TV hung high in a corner. Two couples sat talking and nuzzling in leather booths. She treasured this small, secret life away from her husband.


Iris had long, wavy black hair and blue eyes. On this night, she wore a satiny, crimson dress that felt like breath on her fair skin.


A man stood on the other side of the piano, looking at the backs of his hands, which lay flat against the piano. He was thick-bodied and rugged in a fireman kind of way, with chapped skin and thick, graying hair. Iris loved men. She loved their musky scents and rough faces. She loved the way their broad shoulders tapered down into small waists and narrow, round buttocks. Most of the time, she admired the way men held emotion dammed up behind their skin. They were so much tidier than women that way.


After making love with a man, she used to love to lie with her head on his chest, so she could listen to the burbling stew of his insides and wonder about the gurgles and thrums as she drifted off to sleep. (Cropper kept everything locked up so tight he sounded like a snare drum.)


The day she married Cropper—nearly six years ago, before a justice of the peace—she resolved to end any flirtation at the first display of lust. As time wore on, though, she felt herself opening up to strange men, almost involuntarily, in the manner of a flower unfurling under a store-bought grow light.


The man caught her looking at him and smiled. He had a hangdog face, and eyes the color of bourbon. “I’m Frank.” His deep voice caught in his throat. He moved his gaze to his drink.


“I’m married,” she said.


“Join the club.”


“I didn’t come here to pick up men,” Iris said.


“That makes two of us.”


After a minute, he said, “You look like that actress who played that blind gal in the movie with what’s his name. The dude who’s in rehab all the time. Did you see that one?”


Iris gave him an exasperated look. He held up both hands, as if in surrender, but he moved closer. She felt him probing behind her eyes, feeling for something to hold onto. She let him. Her eyes were colored glass, reflecting everything, absorbing nothing. When loneliness swelled up inside her and threatened to spill out, she looked away. He got on the subject of football helmets and then moved on to dog racing and polar ice caps and fuel made from corn and finally some soccer stadium in Afghanistan. He seemed lonely.


“You get this little vein that pops up on your temple.” Frank touched his finger to her temple, traced a lazy S. Iris felt a pleasant ruffling of nerve endings beside her left eye.


She pulled her head away and looked up at the television in the corner.


Lately, Iris experienced surges of resentment toward her mother, and her sister, for not letting her in on the substance of marriage, its relentless routines and mutated truths. They never told her that she’d wake up day after day for weeks with a certainty like a pile rammed through her that she could not live one more day as somebody’s wife, not even Cropper, who loved her, albeit in a way that bordered on frightening.


Frank reached up, pushed a lock of hair up behind Iris’s ear, then lowered his hand slowly, running his thumb along her jaw line. He tilted her head back and she closed her eyes, savoring the sugary anticipation of a come-on. Something frayed in his voice when he said, “Great dress.”


He said nothing for a while. She stared at the television without really watching it. When he spoke to her again, he put his hand on her knee to get her attention, and then left it there, lifting it away when he got himself worked up about Iraq, or maybe Afghanistan; one of the war countries. She kept her expression bland when she removed his hand and placed it on his own knee. She sat quietly beside him, listening to the music and to his chatter, until her watch beeped in her purse. Cropper would be home soon.


“I have to go,” she said.


Frank trailed her to the parking lot. She stood in the cool air, unable to recall where she’d left her car. “Do you need a ride?” he said. She told him she’d left her car up the street. He unlocked a dark sedan and opened the back door. His face looked suddenly and desperately needy. He might as well have led her to his bed and pulled back the covers. She felt like a person rushing to a plane knowing that she’d forgotten something.


“Do you love your wife?” she said.


“Can’t imagine being married to anybody else.”


“I’m not really this person. This dressy” She looked down, shook her head. “I’m...”


His voice sunk low and uneven. “I know what you are.”


She didn’t stick around to hear what she was. She was lonely, but she was not a whore.


***


That night, Iris sat on the couch next to Cropper, watching a nature program about a drying- up Botswana watering hole. A baby elephant trapped in mud up to its shoulders thrashed and struggled. His mother and aunts tried to pull him free with their trunks but the mud wouldn’t let go. Iris thought she wouldn’t fight it if she stopped at a drinking fountain one day and Mother Earth decided to reclaim her, to fold her up in great gray arms for a never-ending hug.


When that narrator mentioned the great herds that once roamed those over-baked savannas, and how they’d been whittled down to nothing by poachers and farmers and war, Iris unmoored her consciousness. The grander problems of the world, their causes and solutions, were all too unmanageable, too far beyond her ability to help. Occasionally a news story blew untidily into her awareness, like dirt under the door. She usually swept it back out again with a check made out to some outfit that could help. She wrote checks to Oxfam any time she saw photos of fly-covered people starving somewhere, to the Red Cross whenever earthquakes rattled a city into rubble. She helped other people do things about cancer, AIDS, muscular dystrophy, cystic fibrosis, homeless pets, cleft palates, Bengal tigers. In return, she got a lot of personalized address labels. They were currency, buying her freedom from deeper involvement.


She said, “Why doesn’t the cameraman quit filming and dig that little elephant out?”


Cropper just lay there on the couch with tears shining in his eyes. The nature shows really got to him sometimes. Not that he was particularly protective of God’s creatures. He was as likely as anyone else she knew to smash a moth with the bottom of his slipper.


She tried to stroke his cheek, but he turned his head. Cropper’s face was more interesting than handsome. He had slightly hooded eyes, a strong jaw, and big, white teeth.


He was kind to her, almost always. Occasionally, the best parts of him burrowed deep inside, and she’d find herself sharing a bed with a person who hadn’t spoken for three days straight. One minute he’d be sitting across the table from her at the Trattoria, going on about internal combustion engines, and the next, he’d go cold, silent as a headstone. Even his skin cooled to the touch. He could have been one of Iris’s refrigerated customers. She’d never have guessed marriage could be so lonely.


He switched the channel to Jeopardy. “What is the Holy See,” he said. Cropper read book after book, all nonfiction, trying to tire his brain so it would sleep when he did, instead of launching nightmares behind his closed eyelids. He was the only adult she knew who owned a library card. “Who is Andrei Gromykyo,” he said. “What is Lapland.”


She only got one answer before Cropper: “Who is Madonna.”


After Jeopardy, Cropper turned off the TV. He unbuttoned his shirt to reveal the long, shiny, Y-shaped mystery scar that covered his chest. He claimed not to remember how it happened. There were gaps in other areas as well; unseen perforations where bits of his humanity had dropped out altogether. The part that let you get over even unintended slights, no matter how small, for example. Or the part that made you love your brother, even if you didn’t like or understand him.


Iris hiked up her skirt, climbed on top of Cropper’s legs, pulled her top over her head. He reached behind her to unhook her bra while she fumbled with his belt. They stroked and moaned and kissed until she began to grind against him, slowly. She still thought he was the perfect man for her, fitting inside her like a puzzle piece.


Before long, Cropper pitched her onto her back and began thrusting away. He hung onto her as though she were something solid, like a jetty, and he were a swimmer, trying not to be dragged out to sea. Iris avoided his eyes because she could see every terrible thing that had ever happened to him there, eddies of despair, sucking her in.


***


On the table at Schmidt’s Funeral Home lay a middle-aged decedent with thick hair, still damp from washing, and a salt and pepper mustache, freshly trimmed by Iris. He had a crooked nose and a deep dimple in the chin. A pale scar bisected one eyebrow.


He looked a lot better than he did a few hours ago. Mr. Schmidt had pumped pink embalming fluid into the man’s carotid artery, cleaned his face with disinfectant, then shaved him, and trimmed his nose hair. He’d packed cotton under his eyelids and in his one dented cheek, to prop everything out where it belonged. The decedent’s biggest problems were below the neck, which wasn’t Iris’s department aside from the hands. Iris wiped them with disinfectant then powdered them. Long ago, Mr. Schmidt had showed her how to arrange them to hide the palms, which were purple and mottled with settled blood.


People left this world with different expressions on their faces. Some looked surprised to have been wrenched out of life; others looked sad or peaceful or indignant. This guy looked tired. The lucky ones, Iris supposed, grew to be withered old apples that dropped off the tree when they couldn’t hang on any more. Assuming somebody found them right away, of course.


When she smoothed his tie against his crisp white shirt, she felt the jagged hardness of staples holding his sternum together. One time, Mr. Schmidt let her feel a decedent’s heart. It was just larger than a baseball and the color of a Japanese maple, with what looked like globs of chicken fat adhered to its cold skin. She would have thought a heart would be tough as an overcooked roast because it spent its whole life working, but it felt hard and slippery, like a lie.


Iris tossed the gloves. She dusted the decedent’s face with powder to match his hands, and then brushed his hair. Squirts of Aramis covered the embalming fluid odor.


Iris heard a knock on the metal door jamb. “They told me I could see my brother, before” It was Frank from the bar, dressed in a blue suit, looking shaky and pale.


“What are you doing here?” Iris said, alarmed and irritated.


Frank’s face registered surprise, briefly, before going flat. His eyes flicked to the person on the table.


“Oh.” Iris looked down at her hands. “I’m sorry. For your loss.”


Frank walked a slow circle around her table. She thought the decedent looked handsome, considering. Bodies bloated and stiffened before loosening up again. Skin stretched. People expected Sleeping Beauties, waiting to be kissed out of their final sleeps. If they saw what some of these bodies did in Mr. Schmidt’s prep room, farting and twitching and blinking their eyes open, they wouldn’t complain about off-colored skin.


He touched his brother’s hand, then recoiled, probably at the coldness. Some men liked to say their goodbyes without a dozen other grievers standing behind them shifting and craning, as though the casket were a concession stand instead of boxed up death.


“I was driving,” Frank said.


Iris touched Frank’s back and murmured again that she was sorry. He sobbed, noiselessly. She squeezed his shoulder. Unexpectedly, he wrapped an arm around her waist, cinched her tight against him, then pulled her around for a full-on hug. She could have stayed that way for a long while, feeling loved.


She wished there was a way to tell him a person could burn up millions of brain cells wondering why he wasn’t the one lying with his muscles loosening from the bone and eye caps holding his lids shut. Why didn’t he look right again before pulling out, or leave the house thirty seconds later, after the van had passed.


A person could exhaust herself wondering why she kept clomping across a frozen river and a stubbly field, Saturday after Saturday, returning to that sagging barn with all its clucking, reeking chickens, when she hated the smell of sawdust and the cold on her bare thighs. The barn seemed to have its own gravity. A person could be propelled by something inexplicable, a force beyond the reach of words.


She knew it was inappropriate to be hugging Frank, but comfort, like happiness, was finite, fleeting. A person had to grab hold of it when it came into reach. Judgment was for those who’d never experienced a thousand fleas crawling all over her innocence. Iris chose the company of sunnier emotions. It was easy to do if she surrounded herself each day with people whose misfortunes so clearly outweighed hers.


Frank cleared his throat. “How can you do this job?”


“Money’s good. And I like the people that I work with.” Iris pulled her hand off the decedent’s foot. “Coworkers, I mean.”


Frank looked at the tile floor. “People keep saying, ‘Give it time.’”


Iris nodded, even though she knew true sorrow never dried up. It could shrink and retreat, but it was always there, ready to reconstitute itself on fresh pain. People said time healed all wounds, but in her experience, time lacked the right tools for the job.


She walked him out to the Oak Room, where the visitation for his brother would take place. It was a muted, pleasant space filled with bland landscape paintings and deep, comfortable couches. The heavy, wooden door closed behind them with a muffled thud. Afternoon sunlight filtered through the drapes, creating a quiet warmth. Two extravagant arrangements of white flowers stood at the front of the room. The cloying scent of lilies hung heavy in the warm air.


“We said no flowers,” Frank said.


“People send them anyway.” Iris fiddled with a seam on her dress.


“Goodbye then.” Frank brushed past Iris on his way to the doors, his hand grazed her hip, leaving a trail of goose bumps in its wake. He paused. Iris waited for his bourbon-colored eyes to be drawn toward her.


Her body seemed at times to have been guided by invisible hands working from within. They pushed hips and breasts out where they’d be noticed, then pinched her waist in and stretched her legs long and her toes straight and pretty. They smoothed her pale skin to where women she didn’t know stopped her to ask what products she used. (“Ivory soap,” she’d say.)


He stood staring at her, his face unreadable. Iris unzipped her dress, armpit to hip, hearing each metal tooth release its partner with a tiny pop. When the dress hit the carpet, she stood in her black bra and panties, pale and goose pimpled. He stepped toward her, then stopped abruptly, like he’d clanged into something.


“I was just trying to make you feel better,” she called, but he was just footsteps by then.


Her dress lay on the floor like something she’d molted.


***


Weeks passed. Iris joined Rose and her husband at a cowboy bar one Friday night. Cropper hated crowds so he stayed home. The walls were covered with rusted spurs and fringy chaps, branding irons and rodeo art.


Iris sat on a cowhide-covered barstool, sipping a wine spritzer. Rose and her husband knew every line dance, sang along to every song. Iris longed to whirl one way and then the other, to knock her heels against the wood floor the way they did, but something solid kept her apart. She imagined all those people with their thumbs through their belt loops, spinning one by one into her invisible shell, crumpling like stunned birds to the floor.


A man dressed in black jeans and a pearl-buttoned shirt moved around the outside of the floor, dancing the two-step with a woman in a flowy, blue dress. Both wore black cowboy hats pulled low on their heads. He had a paunch but somehow glided. When the music stopped he kept right on moving, twirling and dipping his partner, pulling her along as though she had no more heft than a silk scarf. They could have been on skates. When he removed his hat to smooth his hair back, Iris realized it was Frank, looking heavier and older. He’d grown a mustache. He danced with two other women, both of whom he flew like kites around the dance hall.


She should have called Cropper for a ride. She stayed, though, watching Frank dance. Eventually, he strode off the dance floor, sat at the bar and ordered a beer. Iris approached him, walking on wooden feet. He dabbed his damp forehead with a cocktail napkin and ate a peanut from a bowl on the bar without removing the shell.


“I’d like to apologize,” Iris said.


He looked at her for a long moment, then raked his eyes over the dance floor. She didn’t remember his skin being so red.


Frank said, “Is he here?”


Iris shook her head. She thought of Cropper, sitting in his recliner with his eyes half closed, murmuring, What is hemoglobin? Who is Akihito? He suffered from perpetual restlessness, as well as tiredness. If her heart were intact, it would surely ache for him.


Frank took her by the wrist and led her onto the dance floor. He arranged Iris’s arms the way he wanted them and said, “Relax. Look up.” At first she felt uncomfortable holding her chin so high and her arms so stiffly in position, but that melted away as he maneuvered her around the dance floor.


Iris watched Frank’s face so intently that everything else blurred into color and noise. She felt like a flame atop a moving candle, swaying up and down, side to side, more color and heat than body. He could have put his hand right through her without causing more than a flicker.


She experienced something warm and rich expanding inside her. She squeezed his meaty shoulder and enjoyed the sensation of fullness. When the second song ended and Frank let go of her, though, the feeling collapsed.


Iris tried to call the feeling back but what emerged instead was the image of her mother in a turquoise parka, standing on the bridge that spanned the river near their home. Iris stood below, on the frozen river, watching exhaust curl up from the tailpipe of the station wagon and disappear into the wintry air. Wind lifted and twisted her mother’s dark hair. She held it back with one hand and yelled, “If you fall through that ice, they won’t find you until spring.”


Trudging home after that, Iris believed her mother was more everywhere than God, with an infinitely bigger pull.


After a quick look for Rose and her husband, who were again on the dance floor, Iris took Frank’s hand and led him past the restroom and the storeroom, out the metal door into the alley. She didn’t wonder why she did what she did. Interior exploration blotted out all the pleasure in life. She was drawn to men, even when she didn’t find them particularly attractive, even when they were indifferent to her. Sex never filled her with regret or self-loathing. It made her feel solid. For a little while at least, she wasn’t a glass Christmas ornament, a shiny bauble that a careless squeeze could shatter into glittering dust.


Frank kissed her. She enjoyed the unfamiliar mouth and the feel his hands roaming all over her body. Iris unbuttoned her silk top, slowly, with him watching her hungrily. He inched up her long, dark skirt while she unbuckled his belt, unbuttoned his jeans, unzipped his fly, and stroked his waiting hardness. Frank moaned. He reached around her backside and slid a hand down her buttocks and pressed it against the heat gathering between her legs. He rubbed and teased; he kissed and groped and squeezed. Over and over, he told her she was beautiful. Everything in his face gave way to desire. He leaned her up against the front door of a pick-up truck, and pulled her legs up around him. The heels of her red boots knocked together at the small of his back. He pushed himself into her waiting loneliness with a gasp.


The elegance he’d displayed on the dance floor seemed to disappear all at once. She used to find reassurance in sex, a quenching of some unnamable need, but all she could feel right then was cold against her back, and a stranger sawing away at the tenderest part of her.


A few minutes later, he was zipping up, tucking in, kissing her on the mouth, saying, You really are beautiful. She felt wholly drained, infinitely void. The heavy door hissed its way closed, and then shut with a soft click that sounded exactly like a pin coming out of a grenade.




© 2012 by Karenmary Penn

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Writer's pictureRobert Giron

The Music She Will Never Hear

by Kristin FitzPatrick


On the way to the mine, the historian lets Jace control the radio, if there are any stations out here at all. After listening to some fuzz, the historian says he wishes he had some tapes, some of his son’s tapes, lying around. He laughs. “What is it that they say? ‘Not your father’s music’?”


Then he asks about Jace’s music. Jace reaches down into his backpack, pulls out a pirated album. He tells the historian that the band isn’t on the radio much, that they are called Phish, a concert group, a live phenomenon, how they played at Red Rocks and you just wouldn’t believe the sound. How the beats and chords blasted out from the stage in the half shell, that orange-pink cave. Then he stops himself.


“Guitars and drums and keyboards, but it’s not rock?” the historian says.


“More like fusion. Jazz, rock, bluegrass, maybe, a lot of improvising. I guess it sounds like rock to people who don’t know it or it looks like it from the long hair and the clothes.”


“Sounds a bit like that Garcia fellow and his tribe. Hell’s Angels and all that business.”


Jace chooses his words carefully. “It’s not exactly like that, Dr. Sims.”


“Go on, let’s have a listen,” the historian says. “I like it already.”


Jace pops the tape in. While it plays, the historian glances at the tape deck. On this field trip, the historian wants to know about more than just heavy metals. He has called in Jace to tell him about the harder stuff. Carbons. Mites, tites, rites. Complex bonds. School me, kid. Give the teacher a lesson in rock.


After a few songs, he turns the volume down and smiles at Jace. “How about your outfit? What do you play?”


“My band’s not playing now. I’m drums. Brad, my uncle, he’s upfront, sings and plays lead. Keiko, his girlfriend, she got bored and picked up tambourines, then took over for the keyboard player when he split. We lost our bass player too, so maybe she’ll learn that.” He laughs.


“What’s so funny?”


“Girls can’t play bass.”


“What about those all-girl groups?”


“That’s different. She doesn’t get along with girls. Besides, she likes to hide on the platform, only show the top of her. Thinks she’s fat.”


“Ah,” the historian says. “Yes. You’re behind your instrument, too. All of you are.”


“Didn’t think of it that way.”


The historian’s hands shake as he drives west. They enter a tunnel. Jace imagines that a stone door closes over the entrance behind them, and then an animated bird pumps TNT ahead, to force a rockslide over the only way out.


Now the historian’s face scrunches up. “Keiko? One of those in my world survey course.”


“One of what?”


“A Keiko. She came to my office last week. Falling behind, she said. Otherwise I wouldn’t remember the name. It’s hard to pick out a face in a class of hundreds.”


“Sounds like her. But she’ll get there. Holed herself up all weekend to cram for midterms.”


“Right. So, Keiko and your uncle?”


“He’s only a few years older than us. My grandma said they needed extra time to recover from raising my mom before they could have another kid.” He laughs, and the burst of air from the back of his throat surprises him, and then he has no air left.


“Your mum. Where does she live?”


“She doesn’t.”


After they stop for breakfast, once the historian’s stomach is full and the coffee kicks in, he taps his thumbs on the steering wheel. A pebble hits the windshield. Clink. Then the shush of light rain and the swish that wipes it away. Jace twirls a pencil, a stick of soft graphite he uses to sketch impenetrable carbon bonds of diamonds, those bastards that last through the worst heat and pressure. That was how it started, the twirling and spinning, the drum stick tricks, over his muffled snare and in front of heavy metal videos, to imitate the stunts those drummers could do, the way they nailed not just the skin, but the rim and hi hat. With the whole body, all the force they had. That’ll kill your ears, Grandma always said. He didn’t care about damaging his hearing, but he couldn’t lose it completely. The silence that followed the final crash would hurt more than the loudest pound.


Jace tries to make getting to the mine fun. “You said you have children, right, Dr. Sims?” he says.


“Sure, though sometimes I forget. My son is good at making himself scarce.”


Jace has no answer.


“You know,” the historian says, “my mates at the School of Mines said you’re quite a whip in the geology lab and I should request you as my guide. Lucky for me, isn’t it?”


“I don’t know. Guiding’s a job. It’s not bad.”


“So, Jace is an unusual name. What does it mean in Japanese? You must be half or—?”


“My name means moon, and I’m not Japanese. I’m white, and Ute.” He mumbles this last part, because it’s none of the historian’s business, and because Jace is not used to the topic. His association with Keiko confuses people, but at least the historian won’t ask any more dumbass questions about names and groups and who came from where.


The historian nods. Origins are his business. “My wife and I, we look different, too. She’s what you call black Irish. White skin, black hair, dark eyes. Her family wasn’t too thrilled when I came along. You know, another English invasion.”


“Yeah, I know what you mean.” This is a bullshit comparison, but the old guy is backpedaling. He is really trying.


“But before long, the differences fade away. Life will get easier for the two of you.”


“You mean for my uncle and Keiko.”


“Right. For them.” He checks the rear view mirror. “It will get easier for you, too.”


The tape has reached its end. The historian punches the power button. Tell me some mine legends, he says. So Jace indulges him. This is the true work of the guide, and it’s harder this time because this client is not the tax lawyer or the curious senior citizen tourists, trying to escape through a cave, to be kids again, in the dark. Jace asks if the historian knows the one about John Henry’s hammer versus the steam engine, if he knows how the tunnels were made. Of course he knows that one. The historian says his head has been in the Old West for years now, and he’s touched a lot of the remains, but this mine, the one they’re about to reach and one of precious few that isn’t closed off, is a first for him. How many times has Jace been through this one? Twenty-seven. Will it look like the historian imagines, like the books say? Darker. Sound like? Twenty-seven leaky faucets. No, as many second hands, Jace tells him. Tick. Tick.


The historian’s specialty is the mining era—the magnetism of the gold and silver rushes—what brought whom to the Rockies and why. Hunger, greed. And what kept them panning. Starvation, pride. So Jace wants to tell him not about wet caves and what grows within, but about other phantoms in tales he has learned outside of the School of Mines, echoes in a darkness for which the historian’s research money isn’t meant. The historian will think this myth is passed down from Jace’s elders, that Jace actually knows his elders, rather than from old smelly books he dug up in the library.


“You ever hear the one about the moon versus the coyote?” Jace says.


“Can’t say I have.”


“The moon wanted the living to bury their dead, but his enemy, the coyote, was for cremation. Since the coyote was right on the ground, it was hard to stop him from swaying the living. Eventually the moon gave in.”


The historian responds, but Jace doesn’t listen. Out the window, below the interstate, in a valley town where even the trees are trucked in, the taller pines lean down, shelter the new growth as best they can, and their highest eaves rest on the halt of power lines.


Sometimes you can learn everything you need to know just by checking a window, looking through it, past your reflection, into what you can’t see from any other angle at any other time. If you leave the blinds open just a crack, a moving object, say it’s a rock, or a snowflake, or a man, a stranger, might come at you from the south, from the bus station. Or maybe he hitched. Maybe he walked, just wandered off. Maybe he parked, sat, waited. Just around the corner.


On a day in eleventh grade, when Jace stayed home from school, the man had walked the way only a messenger can, or a guilty child awaiting punishment. His hands were full, which made his steps slower, made his concentration more a part of the movement. His face poked up to check address numbers, and as he came closer, he appeared taller, the curves of his hat more defined, the thing in his hands more baglike than box shaped. Jace knew where the man was headed. He grew larger on the sidewalk until he cut a right angle, proceeded up the cement path that split the front yard. If Jace opened the window he would hear the man’s boots: Click, tap, click, tap, click. No scuffs or drags. The bag lay flat over the man’s palms, and Jace imagined him presenting it to Grandma. It’s a beautiful covering for the box, she might say. A nice way to wrap up my daughter, but we prefer urns. Have you people kept her in a box all this time?


After the man disappeared under the cover of the porch, Jace dressed without making a sound. He wanted to hear Grandma say it. But what do you wear to accept your mother’s ashes from your distant cousin, or would-be neighbor, or uncle? How do you prepare for a moment you’ll have to remember and retell for the rest of your life? It was a Thursday in 1993, he’d say, eleventh grade, when I was out sick from school, so sick I’d lost my voice, and I was wearing my Rockies jersey, or my red t-shirt, or Brad’s flannel. Not boxers. That wouldn’t do.


At first all he heard from downstairs was a Do you need a ride to the station? But then, through the storm door, came the man’s voice, the upward pull on the middles and ends of words, so that each statement sounded a dozen questions. It was that intonation, that tongue which to Grandma sounded foreign enough to wince at, lean forward into, that put Jacy at ease. Perhaps the women on the reservation, women besides his mother, sang baby Jace to sleep with that very pattern of rise and fall. Perhaps Grandma had to change his tune when he found his voice.


Jace threw on the best shirt and pants he could find. As he zipped up, he raised his head. A figure moved in the corner of his eye, through a crack in the blinds, down on the street, away.


Even with his hands free of the bag or box, the man constricted his movement. He shoved his hands into his pockets, he still hunched over. His hat hung by its string around his neck and onto his back. Jace could see the hairline now, just a slight receding, nothing like Grandpa’s low tide, and a black crew cut. And then he saw the ears: tiny coils of brown.


Jace opened the window and heard the man’s steps. They were not clicks or taps at all but thuds. Hey, he wanted to say. I know you can hear me.


At the kitchen table, once Grandma couldn’t stand it anymore, she made Jace open what the man delivered. He untied the bag, pulled out the box.


“What is it?” she said. “Feathers? Beads? Turquoise?”


He opened the latch and held up the treasure: a rose quartz. Its mount had severed from the chain. The crystal was chipped and soiled, but still shined pink.


Grandma brought a hand to her mouth, backed her chair away from the table.


Once she had made it to the driveway, Grandpa said, “It was the last thing they argued about. Grandma didn’t want her wearing it. She didn’t want your mother doing a lot of things.”


Jace knew this, knew how it all must have sounded to the neighbors: a good girl, a nice Arrowhead Academy girl, trying to civilize those people. And if that isn’t enough, she goes and lets one of them work his charms on her.


***


Brad is Keiko’s official boyfriend, and he is, officially, Jace’s uncle. It’s October now, and neither of them have seen Brad since July, since Jerry Garcia reached his deathbed. Brad called Keiko last week to announce his visit. If she hasn’t failed out yet, Keiko is still on the historian’s official roster of students. The historian is Jace’s client this weekend, who pays to have someone with a permit, someone who knows rocks inside and out, to take him underground. Jace is the guide. But these labels are all coincidence, and fail to explain the actual roles each of them plays.


When Jace and the historian check into the motel at the end of the first day, the historian stares at the key in his hand and looks toward the east wing, where a bed waits. “I’m knackered.”


“Okay. I’ll get settled in my room, see what’s on TV.”


“Sure. Do as you please. It’s your holiday, too.” The historian reaches for his wallet, pulls out three new bills, and rubs them together until they squirm apart. He stretches his arm out, toward Jace. “Get yourself something to eat. This should be enough for a haircut as well.”


While the historian sleeps, Jace dreams. All of last summer was a dream. Every day he spent with Keiko glimmered, even in the pouring rain. Pitter patter, rat-a-tat. Besides counting beats, and pounding them out of course, this is what Jace can do: judge a stone by its color, cleavage, hardness, and by its specific gravity. Sometimes you can find two stones in one. That’s what his rock guidebooks say. Hold a purple stone up to the light and you’ll notice the golden glow of citrine inside. One day on the Phish tour, a day when clouds threatened, when Keiko was asleep, he opened her bottle of thyroid medication. No capsules inside. Not two, not one. Without them anything could happen, any expansion or contraction of cells, tissues. It would show in her middle, and in the glow of her skin. Her hormones need a special transmitter, a daily call, to send messages—stay where you are—to those eggs stalled out on the sides of their roads, their pathways into the dark tunnel, and then outside. By October the signals sit stagnant with three months’ worth of blood. Wash me. She keeps saying it’s just her thyroid messing with her cycle, but Jace wonders if a new life is starting to grow.


But that’s now. This was then: the summer Phish tour, the stolen moments alone with her. Like the day when Brad was off trying to score concert tickets in the parking lot of Red Rocks theater, when Jace and Keiko snuck into the cave on the side of the pavilion. The going rate was getting higher, and in there they could climb and pull and crouch and enjoy the show for free. No one would know. It was harmless. They just sat there, enraptured by the music, and stared into the golden-coral-pink-blue-everything-is-possible sky when Brad was nothing and nowhere, like everyone else but they two.


That’s what it was like last summer when Phish played at Red Rocks, or Mud Island, or Finger Lakes. Once the music starts and you grease up and all your cylinders kick in and the pistons are really pumping, and you sweat and pulsate and start dancing around, you’re not just one pathetic little engine anymore, you’re on the superhighway: thousands of individual bodies moving as one amoeba.


One night in Vermont, at the end of the tour, when it was late but no one was tired and gone was the novelty of card games or Hacky Sack, Brad grabbed his flannel. “Going beer hunting,” he said. But Keiko knew better.


“Hope your weapon backfires,” she said. She did not look up from her knitting.


Just before sun-up, in that slice of night too late for activity and too early to start the new day, Jace heard a hum from the edge of the parking lot. It was the engine of whoever dropped Brad off, some floozy he met last week maybe, when he ditched Jace and Keiko to go to some nearby Grateful Dead shows. Jace bolted upright, slithered out of Keiko’s s sleeping bag and into his own on the bench seat. It was a cold night, so he was already back into his clothes. Keiko did not stir when he peeled away from her.


Brad rolled open the door and grabbed Jace’s foot. “Dude, wake up. Jerry’s tweakin’.”


Jace lifted his head, rubbed his eyes longer than necessary. It was a good act.


“It doesn’t look good,” Brad said. “The rest of the Dead tour’s canceled. They’re talking Betty Ford Clinic.” He squeezed Jace’s toes on that last part, then he leaned onto the feet, rested his chin over the ankles. “I should have seen it coming. The way he kept the volume down at Giants Stadium, and how all those chicks cried and clapped when he was barely making any noise at all. Just leaned onto the guitar pedals, like they kept him upright.” Brad straightened up, let go of the feet. “If things don’t get better, they’ll send him back to California. A bunch of us are gonna meet there no matter what. So we gotta get going. I gotta get you guys home and be on my way.”


Jace climbed into the front passenger seat as Brad started the engine and pulled out.


“I might need to take the semester off,” Brad said, and Jace could hear it in his voice then: ten years of an older sister’s records fading out, another chorus lost, another groove scratched. “I can graduate next year. School seems like such a joke now, compared to this.”


It’s not like it was a member of Phish on that hospital bed. Their band will still go on. It was just the old guy from the Dead, and old guys croak all the time. But Brad couldn’t go on without the music’s front man, the voice inside all that vinyl.


On the tour, sometimes Jace drove. Sometimes he navigated. That morning, on the way home, a somber morning because they’d just gotten word of Jerry Garcia’s hospitalization, Brad just needed Jace close by. Once Keiko was up and in position, Jace sat on the floor between the front bucket seats, listened for the tempo changes or never ending drum solos on the tapes. At this spot, Brad could elbow Jace’s shoulder when they reached a bridge, as the strings rose in pitch and speed, and the vocals held onto a note. And Keiko could cup the back of his head as he nodded on the accentuated beats. Sometimes she thumbed the edge of his ear, circled around toward the center until it tickled and he jolted away. On the floor he felt the bumps in the road.


It was during the return trip, the don’t-worry-everything-will-be-fine movement west, that the pounding slowed to a thud at the right front. Brad pulled over. No cussing. No words at all. No kicking, and very little sound as he walked to the back. Then the click of the tailgate.


Keiko whipped out of her seat, opened her door, and followed Brad.


Jace took his spot on his bench seat and faced the back. He set his chin on the headrest, curled his fingers over it. He watched Brad shove blankets and duffels aside, and pull up the trap door. No jack. No spare tire.


“Where is it?” Keiko said. One hand dug into her hip, the other flailed.


No answer from the driver. The spare tire pit held only a quilt, the old pink one Grandma had threatened to burn. It protected something square. Brad looked up at Jace as he lifted it. It was heavy enough to strain his face and neck muscles, but Brad made the bundle look weightless. All that time it had been there, in the van’s belly, and through a steel sheet felt every splash, every bouncing rock, the wind below. Brad let Keiko unwrap it: a stack of early Dead records, imprints of half-planned riffs and spontaneous jams. Anthem of the Sun, American Beauty, Skeletons From the Closet. Tracks useless to moving forward in a cassette and CD era, but necessary to remind them of their precursor, their source, their uncle father sister mother of sound.


When Grandma had finally cleaned out her daughter’s room, Jace was old enough to get out of the way. It was a curse, she said, for anyone to wear a dead girl’s clothing or shoes or earrings. Grandpa boxed and carried and dumped all of Jace’s mother’s things, but when Grandma wasn’t looking, he placed one stack of records under each boy’s bed, with a set of headphones to the hi-fi in the basement. There they could sift through what she had left behind.


Keiko didn’t touch the records. She didn’t whine. She set the bundle down and held Brad.


Jace shoved his hands into his pockets and hit the road. Eventually there were signs. Not just the green of this route or that, the white of watch your speed, the blue of filling station or rest area ahead, or the red of you’d better stop, but brown signs indicating an interesting turn off.


It was a cold and quiet walk at that hour, as blue-black gave way to lavender. Glass shards twinkled on the shoulder. A stray dog zigged and zagged, then rushed toward and behind a rock wall with watermarks at its base. Water was here, then one day it fell away, down chutes of dirt and stone, into pools, through valleys, and eventually released into the sea. Gone. And it left dried remains, sediment lines to help us remember a time we never knew.


With thumb pointed up, he trotted backwards on the shoulder. He stopped, jumped, blew on his hands. A car pulled over. Behind the wheel was a fat man in a beige jacket. The passenger window was down. Jace leaned in. The man offered a price, and stroked Jace’s hand.


He walked another mile, maybe two. Head down, the chill burning him now. Lights poured over him, passed him by. Just ahead a station wagon sputtered onto the shoulder, crunched rocks, flashed one taillight. An arm appeared out the driver’s window, waved him forward. It was chubby, a white blob against black pavement and sky, with dark fingernails.


When he told the driver how many miles he and his uncle had covered and how far west they were headed, she let out a low whistle and picked up the CB receiver. “You’re gonna need a good tire. Up here’s an honest mechanic, sells quality parts. Normally on a reservation, they’d bleed you dry, but not these people. Got the fear of the Lord in ’em.” She made the call, woke up the man in charge. He would leave the door open. “Ten miles ahead,” she told Jace.


“Thanks.” He scanned the interior. A bumper sticker on the glove box said On the eighth day, He listened. No radio. No tape deck. The back seats were folded down, with boxes on them.


“What’s in the back?” he says.


“The Good Word. That’s what I got to give, or sell, sometimes. On my way to Burning Man now. Those kids frying in the desert, they need some inspiration. They’re a tough crowd.” She raised a finger, wagged it twice, then held it still. “But at every concert I hit, I always catch a few before they enter, reel them back out. Return to sender.”


When they reached the gas station/garage/general store, Jace carried in a soiled and tattered sheet of paper with the tire’s diameter written on it. The door creaked open and then slammed shut behind him. The lights buzzed. Two employees, husband and wife probably, spoke in chains of inflections until it was settled. A price. Behind the counter, the wife rubbed her eyes and said, “It must be quite a trip, to drive through the night like this.”


When he stepped outside and loaded the tire into the back of the car, the sky was more purple than blue. The driver was pleased. She honked and waved goodbye to her friends, peeled out of the lot. “It’s going to be a fine day,” she said. “Like the days when I sell my lucky Bible, you know, the last in a box.”


Jace bought her last three Bibles for ten dollars. She dropped him off a few exits from the van, where Brad and Keiko waited.


“Good luck at the next show,” he said. Now, as dawn broke, he noticed the amulet that clutched at her throat. It was round and white and it stole the light from her skin.


***


Jace can’t sleep. If he’s going to try to win Keiko back, he should use the historian’s money to buy her a gift. Across the street from the motel is a shop in a long barn, shined up and ready for traveler’s checks. On its roof a billboard sized sign shouts up to the interstate: PRECIOUS GEMS. He enters the store and unzips his jacket, a heavy jacket that makes him worth watching. His hands stay in his pockets as his eyes scan the merchandise. He does not enter the shopkeeper’s blind spots.


He peeks out the window, through the blank space between signs. The last slice of sun sinks behind a peak to the west. On the other side of it is the resort town where Keiko studies now, in her parents’ ski lodge, where she begs her cycle to end, or to begin again. She is waiting for something to crack, to break down and pour out.


He passes over the dross and toward the shiny rocks. And then he sees a stone that looks just like the one in the driver’s amulet: pearly, opaque, but too clear to call white. The shopkeeper tells him it’s a moonstone, a gem whose main element is wind, and whose known to transmit magnified emotions, lunar energy, psychic perception. “It’s a third eye,” she says.


Once the shopkeeper unlocks the case, Jace holds the moonstone up to the light and tests its weight with a dip of his arm. Solid and full of complex bonds. Impossible to break. He sets it on the counter, and it clanks against the glass, as if to tell the stones below, Hey, up here, look at me. I’m free. Jace removes his billfold and separates two notes from the third.


The shopkeeper wraps up the moonstone and hands it to him. “Lucky girl,” she says.


As Jace and the historian return to the mine the second day, the historian hands Jace a stray branch. It is pointed on top. “Here. You’re the guide.”


They walk for a while, crunching dried leaves until their feet fall into step. It takes a while for the bird noises to find his ear. There is a quiet that follows the tour, even months later.


Above them, the moon hangs low with a blue blanket tucked over its middle. Pines keep their arms down, but near the bottom, some reach straight out and curl up. They stretch wider down low, away from the trunk and its waterways. They brown and crisp easily this close to the dirt, and the roots below.


The soil hardens as they climb. Slate chips away and slides around. Their toes break it off, and their heels skate back a little on tiny sleds of it.


A hawk blinks, casts one eye down on Jace. He wonders what it sees from its perch, if it can make out the whole mountain range, or see what’s ahead.


“Jace, over here,” the historian says. He waves a hand and points to something important on a rock wall, a scrub tree sprouting out of a crack where stone meets dirt. What Jace notices is a carving off to the left, above the sediment lines: “100 years come around, 100 years underground, 1988 and where’s my mother lode?”


The historian says he wishes his wife were here to name this sprout. “She really knows plants. So the soil, that’s not completely foreign to me.”


Up top, there’s never enough traction underfoot. But below, in the mine, that’s the world Jace can sink into. He knows it by feel, and by ready-made notions of what the underground world should be. Caves, holes, mines. Stalagmites, biotites. Lights on helmets. Chisels and scythes. Tracks, trains, engines. John Henry tried to beat the machine with his hammer underground. That’s what they tell you in school. What Jace knows are tough rocks, knows what makes them burst, give way, tumble, hide under their neighbors. The historian wants to find out what’s inside, what’s bubbling, spitting, what’s pulling them down.


Before they go in, Jace scans their surroundings, imprints the image: white aspen branches cast out what gold leaves they have left. Below them lies a wash of dirt slopes punctured by slouching telephone poles: crosses falling over tracks. Jace knows the wires they carry, how they hug the old trunk lines that lead the interstate along and then swizzle away. But they always veer back, always return to parallel the streets. They are, as the historian told him over poached eggs yesterday, the same routes to the same destination, but they stop now for shopping centers and resorts instead of bridges and county seats. Still, they follow the same rivers. These lines guided Eisenhower’s construction and now his roads have made them obsolete. But they stay as Western flavor: an attraction, a reminder of how far we’ve come.


The historian stops Jace. He is short of breath from the altitude and the excitement. He can’t wait to start a day of time travel, to fill the gaps in history books. Maybe Jace will get a thank you in the fine print of the historian’s next book.


He pats Jace on the back and motions toward the mine. “Artifact is history where there is no memory,” he says. “All that ever happened or might have been lives inside of something we can touch. It must, or else it never was.”


Maybe it’s the coffee pulsing through him, but Jace wraps his head around this. Yeah, he thinks, we feel a surface, judge its heat, blame its simplicity, praise its usefulness, its place in the evolution toward what we want need gotta have can’t live without today. Right on, old guy.


Jace pats the historian’s back and leads him in. He is ready to move Dr. Sims beyond the basics of rock. Igneous, volcanic, metamorphic. Mites, tites, rites. Those are easy. Jace is here to tell him about what else is down there, what can distract or obstruct, what can console. And he does. He leads, listens, and nods at every question, even if it’s too dark for the historian to see him. In here Jace does important work.


When the historian asks him to pound, Jace says, “We’re not supposed to, Dr. Sims. Mine access permits are pretty strict.”


“I’ll take the heat. Just find a spot and nail it.” He pauses as he hands over the instrument. He does not have to show Jace how to use it. It is the guide’s tool. Jace has been here before.


Jace finds a target and taps. The historian steps away and finds his own spot. They pound in unison for a while, and then their paces stagger, like a gang of hammers forcing spikes through railroad ties and into dirt, or slate, or impossible rock below. Clink clink. Clink clink. For a long time nothing breaks, but they make a rhythm, tap out a pattern. Veins bulge above the historian’s brow, sweat slides down his neck. His breathing offers a loud wind accompaniment, but it can’t keep tempo with the percussion.


“I’ll try over there,” he says, and points around a bend. The words barely come out. He smiles and grips Jace’s arm. “Feels good, doesn’t it?”


Jace stares at the wall in front of him. They are supposed to be taking samples, photographing the site, getting a sense of the everyday reality of the prospectors’ search, like they did yesterday. His boss told him that’s what the historian is known for: sniffing out the real story behind the mining myths, getting into character. Jace is just paid to identify stones, explain formations, point out hiding places of gems that may have been passed over. He is here to demonstrate the safe spelunking practices he absorbed from expert geologists. Some guide.


When it happens, Jace is just around the corner, pounding the daylights out of a certain groove, as the historian instructed. Then he stops, doubles over, and hears only silence. The dripping has stopped, and the steady beat of the historian’s hammer is gone. No echo. Done. Over. This is what Jace will tell the paramedics when they arrive.


In the darkness, he reaches for the historian. He kneels next to the old guy’s body, and he takes the moonstone from his own pocket. He presses it to the historian’s pulse points at the left wrist, then the right, moves it over his torso, over the cavity of organs to upper chest, holds it over the place where he thinks the pounding happens, where the blood landed once it reversed its flow, where the force begins and, if he doesn’t do something quick, where the force might end. He knows he should press hard, should lean onto the historian and smother him with a chance at resurrection, bounce him back to life. And so he removes the stone, pushes and pumps, covers the Dr. Sims’s lips with his. Puff times three. Jesus. They made it look so easy on St. Elsewhere.


He runs away. Through the tunnel, down the slope, wet and muddy sorry excuse for an exit, and then he’s back on the trail, where he hurdles erupted roots and ducks under branches and shrubs sprouting from rock. He hears only feet and breath, feels the downward pull of the historian’s wallet and keys in his pocket. Each step stays on the ground too long, each stride too short, wasting time, wasting air, losing another minute, second, instant. He is not supposed to hear the slap of feet and breath, not supposed to concentrate on his own sound at a time like this.


He stays upright, no tripping or wheezing, all the way to the parking spot, where he finds a cellular phone in the historian’s glove box. He punches the buttons, gasps under the beeps. “Come on, motherfuckers,” he says. “Answer.”


The paramedics appear like a hologram. They work their magic—one two three one two three, listen, again—and they blow used air into the mouth from which the history flows, oxygenate the blood that stills in blue trails beneath graying skin. They beg life from this stranger, give him breath, help him draw in and expel the stuff on his own. But the heart takes its time in responding. It slows as it comes down from the fight, the return of blood to its sender.


They say Jace was right to let the historian lie, to resist the urge to drive him away, that a miracle kept him alive. That it’s not every day you see a cardiac down in the hole. Not anymore.


The ambulance shrinks as it rushes toward the nearest hospital, a hospital that fixes a lot of heart problems, in the closest of Colorado’s resort towns. Lots of old guys feel the pressure on the chair lift, or in the hot tub, or by the fire, where the blood starts to boil, hits obstacles, bottlenecks between build up on the walls of its paths, its closing tunnels, and rushes back home, overflows. So they keep specialists close by to clean up the mess.


Before the paramedics left, they told Jace to call the patient’s family, to follow the ambulance in the historian’s vehicle. He knows the way, right? But instead he stays, lets his feet sink into the mud as he watches the ambulance shrink away, and as the rain pastes his hair over his face. It feels slimy, and it narrows his view. In the distance a train gives warning. Here I come. Fear me. Jace is supposed to move faster, to hurry up and follow the historian to the place where he will heal, where he will come out a better man.


The moonstone. Before Jace gets in the car, he has to go back down into the mine, to find what he left. It is a slow walk—no hurry now that the life is saved—slow enough for him to notice that out here the aspens have dropped most of their yellow leaves and that the chill carries a warning of impending first snow.


In the mine, the darkness swallows him and the air thins exponentially. He wheezes and searches. Fingers travel walls, then ground. Beams of headlamp and flashlight bounce and swing. They catch the usual debris: shreds of rope, pencils, loose pennies. Too dark in here to retrieve any object that might slip out of hands or pockets, especially if it’s brown, yellow, or copper.


He stands where he stood just minutes ago as he pounded the wall. It was foolish and illegal to follow the historian’s whimsical orders. He walks around the curve, into this alcove the historian found, where his heart stopped. Jace kneels down into the mold his knees made earlier, beside the indentation that the historian’s back left in the dirt.


This is where he set the moonstone down. It was a silent release, softer than you’d expect at a time when your heart is an Allman Brothers drum solo at a million decibels, to compensate for the other guy, who’s lost his volume, his treble, his bass. Jace holds it up now, and his headlamp draws out the gem’s pearly coloring, that shade between clear and white that’s so hard to name, even in full light.


Keiko will hold the moonstone under a lamp, too, once he gives it to her. She’ll either say what the hell kind of gift is this or she will say Oh, Jacy, you know me so well. She will embrace him and stroke his ear with her right hand and rub the stone with her left. Together they will hold it, test the weight of all it offers: lunar energy, a third eye. But it will still feel light after all, because, as they will remember without saying, the moonstone’s main element is wind.


Right now, he thinks, she must be sitting by the window, watching the last of the aspens’ gold eddy down, away. Maybe the altitude will affect her cycle, apply some pressure to her stubborn female organs.


Outside again, Jace dials the people in the historian’s address book. No answer from the wife. The son is at work, working on a Saturday at a place where they play classical music to pacify callers on hold. Jace waits. The music does not calm him. Frantic violins and cellos burst above the kettledrum’s thunder. It is a tune to be performed live, so that the musicians in the pit can strum and strike with the appropriate violence in the neck and fingers, and on stage a ballerina can dart here and there in a fury. Keiko would know this tune. After all the running around, she would finish with a slow, soothing flourish. He is sure.


Over the phone, the historian’s son stays composed. Just a low Jesus Christ and a Shoulda known this was coming, then a sigh. He gives thanks to Jace, the witness and rescuer, the messenger of this not shocking news. It’s lucky, he says, because the hospital is close to his workplace, to the restaurant in a hotel Jace has seen in glossy advertisements. The son will be there in no time. “Drive yourself home in my dad’s car. Call us at the hospital and tell us where to pick it up. Might not get there for a few days, but don’t worry, we’ll pay you for your trouble.”


As he starts the engine, Jace pictures the historian’s son behind the wheel instead, a miniature version of the father: short and wiry with curls more gold than silver. He is driving his father home. A small, dark-haired woman stares out the passenger side window, knitting and crying small diamonds. They fall into her lap, shine up to her face. She turns around to check on her sleeping husband until they approach their house at the end of a dirt road. Maybe it rests on a hill, sits apart from the others. Maybe it is humble, or dripping with ornate artifacts as proof of the historian’s life spent sifting through forgotten days. It is a bi-level with an entrance down below, or a colonial, with two shuttered bedroom windows for eyes in its face, and blinds open just a crack.


When you’re on the road, like Jace is now, alone in the historian’s car, you think about other travelers. Those who’ve gone before you, those who’ve turned off here or at that exit back there, and you wonder whether they strayed from their routes, or continued over the pass, and where they ended up, if they made it, and who they thought about along the way, on this road or that. The last thing Brad said to Jace was a hook. He wanted to fight. “What can I learn at school that I can’t pick up out here?” It’s been a while since Brad has played. He must be ready to burst.


In order for Brad to visit Keiko, he has to skip the Phoenix show between the northwest and southern legs of Phish’s fall tour, where things are really blowing up now, because since Jerry’s death Baby Dead has really struck gold. Brad stays close to see what’s inside, but he has a day or two to spare for Keiko. He probably can’t wait to tell her all about how the band has changed, bigger and more popular, but still better, to assure her the sound hasn’t lost its magic, that it was okay for the band to sell themselves out to MTV just once, that it was worth it for a song like “Down with Disease.”


Brad travels light. That much Jace knows. Some practical and some useless items sag in his pack, with the photo of Keiko, taken when they met, when she still danced, in her thinner days. In costume, in position, under lights that ignore the fleshier parts that shine up the muscles and bones. She looks away from the camera, to something higher, out of reach. Since the doctors committed Jerry and Deadheads called Brad in for support, the moon has cycled three times, but Keiko’s cycle has stilled, frozen up. Without regular cues, you lose your rhythm. Jace thinks that tonight, on his way back from Oregon Washington British Columbia, Brad drives with the photo propped on the dash. He taps a beat on the wheel and serenades the photo as he drives, tells it that he’s almost home, that he’s okay, that everything will be different now. The photo stares back and says I’m dead. It’s a new me that awaits your return, that swells with new life. Maybe.


The historian’s glove box vibrates, and a high-pitched ring shakes Jace back to right here, to this road. He answers the call.


“Hey,” the son says. “The old man’s still ticking. My mom wants to repay you. If—”


“No, it’s nothing, really.”


“Oh, well, okay. Hey, which class are you in? Nineteenth Century American?”


“I go to a different school, in Golden, for geology and chemistry.” But I take the bus to Boulder every weekend, he wants to say, and sometimes I help Keiko with history.


“Chemistry. That was my thing.” He pauses. “Don’t drop out like I did. I predict you should get hell from the old man if you do, and I sure don’t want to hear about that.”


The son grew up here, after his father left home, migrated west. Jace heard the difference when they spoke earlier, but something in the intonation, in the way a guy not much older than him could sound like an old English historian, put so many years between them. Something protective and concerned and underscoring the shoulds and sures sounded a rhythm learned early on, through regular listening. Repetition and imitation. It was a natural pattern, an imprint.


From the south, the mountain moves closer. So tall and official and useful now. It still blocks Jace’s view, hides the town of heated sidewalks and patient lovers. Respect me, it says. Snow blankets not just the mountain top but its face, too: white and opaque and silent. The cover is highly anticipated, and around here it falls harder and faster and earlier than anyone can predict. It is the impromptu high, the call to action, the moneymaker. The sounding: come forth and conquer the Rockies. They’re all yours, the ads say. Name a star for your sweetheart up there, or here, name a peak or a ski run, or just one little mogul, after yourself.




© 2011 Kristin FitzPatrick


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